The Handbook of DramatherapyRoutledge, 29. sep. 2005 - 244 strani Dramatherapy is being increasingly practised in a range of therapeutic settings and is of growing interest to theatre practitioners and teachers. The Handbook of Dramatherapy brings together five authors who have considerable experience of clinical, artistic and educational work to provide an easy-to-read introduction to the major models of dramatherapy. The authors explain the differences between dramatherapy and psychodrama, discuss its relationship with theatre art, look at assessment and evaluation techniques, and argue the need for more appropriate methods of research for this increasingly popular form of therapeutic treatment. The Handbook of Dramatherapy provides a comprehensive basis for theory and practice and will be an invaluable resource for all students of dramatherapy and theatre. |
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... client groups. The theatreisunique inits capacity to integrate severalart forms aswell as severalaspects oftheself.In no other structure can art,music, dance, play, story and drama come together in a single entity;we are engaged by the ...
... client groups. The theatreisunique inits capacity to integrate severalart forms aswell as severalaspects oftheself.In no other structure can art,music, dance, play, story and drama come together in a single entity;we are engaged by the ...
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... the client(s) and the skills andexperienceof the dramatherapist. Drama and theatre are suchvasttopicsthat it is easyto get lost in the plethoraofpossible formulations. Can thisbesimplified? The various authors inthis book demonstrate ...
... the client(s) and the skills andexperienceof the dramatherapist. Drama and theatre are suchvasttopicsthat it is easyto get lost in the plethoraofpossible formulations. Can thisbesimplified? The various authors inthis book demonstrate ...
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... client group in mind— people with multiple physical and mental handicap. The Studio: needs tobeprivatebut notisolated,with akeysothat it can belocked.The dramatherapist needs tohave identified a space that is not a thoroughfare or a ...
... client group in mind— people with multiple physical and mental handicap. The Studio: needs tobeprivatebut notisolated,with akeysothat it can belocked.The dramatherapist needs tohave identified a space that is not a thoroughfare or a ...
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... clients. (Becky Wilde) Equipment is very personalto the individual dramatherapist and is usually built up over ... client groups anda clear idea emerges of the varietyof remits and applications. Many dramatherapists workinhospitals ...
... clients. (Becky Wilde) Equipment is very personalto the individual dramatherapist and is usually built up over ... client groups anda clear idea emerges of the varietyof remits and applications. Many dramatherapists workinhospitals ...
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... client aspartof their wholelife journey. She emphasises the importanceof working andreworking the life stages of individuals and groupsand thestruggle to integrate conflicting elements of experience. She describesthis process as ...
... client aspartof their wholelife journey. She emphasises the importanceof working andreworking the life stages of individuals and groupsand thestruggle to integrate conflicting elements of experience. She describesthis process as ...
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The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Anna Chesner,Brenda Meldrum,Steve Mitchell Nfa Omejen predogled - 2005 |
The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Brenda Meldrum,Anna Chesner,Steve Mitchell Nfa Predogled ni na voljo - 2015 |
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