The Handbook of DramatherapyRoutledge, 29. sep. 2005 - 244 strani Dramatherapy is being increasingly practised in a range of therapeutic settings and is of growing interest to theatre practitioners and teachers. The Handbook of Dramatherapy brings together five authors who have considerable experience of clinical, artistic and educational work to provide an easy-to-read introduction to the major models of dramatherapy. The authors explain the differences between dramatherapy and psychodrama, discuss its relationship with theatre art, look at assessment and evaluation techniques, and argue the need for more appropriate methods of research for this increasingly popular form of therapeutic treatment. The Handbook of Dramatherapy provides a comprehensive basis for theory and practice and will be an invaluable resource for all students of dramatherapy and theatre. |
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... tobe appropriateto that role... He suggests that for much of the time we are not aware that we are actors, except perhaps when we are relaxing and then realise that wehave changed our personas.This phenomenonis ofavital importance in ...
... tobe appropriateto that role... He suggests that for much of the time we are not aware that we are actors, except perhaps when we are relaxing and then realise that wehave changed our personas.This phenomenonis ofavital importance in ...
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... to be themost dangerous of the arts and was banished by Plato from his ideal Republic and thrown out of the churches in the Middle Ages. Even in the present time, theatres are closing as financeis short, drama teachersare considered a ...
... to be themost dangerous of the arts and was banished by Plato from his ideal Republic and thrown out of the churches in the Middle Ages. Even in the present time, theatres are closing as financeis short, drama teachersare considered a ...
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... and projects them intoour social interactions.If wewish tochange ourrole behaviour then it needs tobe done throughactive involvement in the newrole; insight alone is often not enoughtobring about lasting change. D R A M A A N D T H.
... and projects them intoour social interactions.If wewish tochange ourrole behaviour then it needs tobe done throughactive involvement in the newrole; insight alone is often not enoughtobring about lasting change. D R A M A A N D T H.
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... people to move around; not cluttered and seats which can foldaway; shelves andcupboards for equipment. Curtains or blindsat the windows anda heater one can operate oneself. The Equipment: needs to be simple and flexible: large blocks.
... people to move around; not cluttered and seats which can foldaway; shelves andcupboards for equipment. Curtains or blindsat the windows anda heater one can operate oneself. The Equipment: needs to be simple and flexible: large blocks.
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... to be simple and flexible: large blocks (hard and soft) that can be transformed into different things; soft mats; cassette player which also records; music and blank tapes; sensory objectsforsense play; simple costumes: hats, cloaks ...
... to be simple and flexible: large blocks (hard and soft) that can be transformed into different things; soft mats; cassette player which also records; music and blank tapes; sensory objectsforsense play; simple costumes: hats, cloaks ...
Druge izdaje - Prikaži vse
The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Anna Chesner,Brenda Meldrum,Steve Mitchell Nfa Omejen predogled - 2005 |
The Handbook of Dramatherapy Sue Jennings,Ann Cattanach,Steve Mitchell,Brenda Meldrum,Anna Chesner,Steve Mitchell Nfa Predogled ni na voljo - 2015 |
Pogosti izrazi in povedi
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