 Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what...  Fearless Symmetry: Exposing the Hidden Patterns of Numbers - Stran viiavtor: Avner Ash, Frédéric Berger, Robert Gross - 2006 - 272 straniOmejen predogled - O knjigi
 | Paul Elmer More - 1907 - 253 strani
...variations that I need make no apology for quoting it here in its entirety, just as Blake meant it to be : Tyger ! Tyger ! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare... | |
 | 1906 - 763 strani
...the tide, SHAKESPEARE, King Henry V, ii, 3 Tiger, — Tiger! Tiger! burning bright, In the forests of the night; What immortal hand or eye Could frame thy fearful symmetry? WILLIAM BLAKE, The Tiger, st, 1 Timbrel,— Sound the loud timbrel o'er Egypt's dark sea! Jehovah has triumphed —... | |
 | 1910 - 295 strani
...child. I a child, and thou a lamb, We are called by His name. Little Lamb, God bless thee! THE TYGER Tyger! tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare... | |
 | Gerhard Richard Lomer, Margaret Ashmun - 1914 - 342 strani
...of every line of poetry should begin with a capital. Tiger, Tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? WILLIAM BLAKE: The Tiger. 3. A proper noun should begin with a capital. Under this rule are included : — (a) Names,... | |
 | Robert Seymour Bridges - 1916 - 336 strani
...obstacles by the mere decision that he will have no obstacles but those of force and brute matter. TYGER, Tyger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes ? On what wings dare... | |
 | Louise Collier Willcox - 1917 - 295 strani
...lamb, We are called by His name. Little Lamb, God bless thee! Little Lamb, God bless thee! THE TYGER Tyger! tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare... | |
 | James Champlin Fernald - 1917 - 333 strani
...SHAKESPEARE All's Well That Ends Well, act ii, sc. 5, 1. 45. Tiger, tiger, burning bright In the forests of the night. What immortal hand or eye, Could frame thy fearful symmetry? WILLIAM BLAKE The Tiger. So shows a snowy dove trooping with crows. SHAKESPEARE Romeo and Juliet act i, sc. 5. And... | |
 | Walter De la Mare - 1923 - 696 strani
...work Which every day he does: While I am at my own work To bring difficulty to clearness. 99 THETYGER TYGER! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare... | |
 | Mark W. Edwards - 2004 - 191 strani
...heavy, solemn movement, the rhythm William Blake turned to when he meant to be at his most impressive: Tyger! Tyger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? The meter (in English) has been said to be "traditionally the measure for magic... | |
 | James H. Bunn - 2002 - 347 strani
...ask yourself whether you see it or not. A twist of the imagination, it enacts an anatomy of syntax: Tyger! Tyger! Burning bright In the forests of the night What immortal hand or eye Could frame thy fearful symmetry? First notice that the poet's questions about the composition of the beast are... | |
| |
