A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 5
Stran 23
... Soviet Russia . * The drama of Red Russia has in the main continued the realistic tradition of Chekov and Gorki , drawing its material largely from the industrial development of the Plans , from the teeming life of the great cities ...
... Soviet Russia . * The drama of Red Russia has in the main continued the realistic tradition of Chekov and Gorki , drawing its material largely from the industrial development of the Plans , from the teeming life of the great cities ...
Stran 43
... Soviet Theatre , " says Professor I. Moskwin , " is not associat- ed strictly with the Russian language or even the ele- ven languages of the eleven union republics . More than forty languages are spoken on the Soviet stage . The fact ...
... Soviet Theatre , " says Professor I. Moskwin , " is not associat- ed strictly with the Russian language or even the ele- ven languages of the eleven union republics . More than forty languages are spoken on the Soviet stage . The fact ...
Stran 45
... Soviet Theatre , the transformation of which lay in lay in the the hands hands of the great producer , Maierhold . In a country like ours where so many millions are illiterate the drama is the best way to familiarise them with the set ...
... Soviet Theatre , the transformation of which lay in lay in the the hands hands of the great producer , Maierhold . In a country like ours where so many millions are illiterate the drama is the best way to familiarise them with the set ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres