A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 8
Stran 4
... Century ' - the seventeenth . The Moralities were allegories in which the characters were abstractions ; " Everyman " is the best known . The mediæval farce arose from the spirit of fun and satire . It is a rudimentary and vigorous ...
... Century ' - the seventeenth . The Moralities were allegories in which the characters were abstractions ; " Everyman " is the best known . The mediæval farce arose from the spirit of fun and satire . It is a rudimentary and vigorous ...
Stran 9
... century Krishna- mishra wrote " Prabodha - chandrodaya " , an eulogy of Vedantic philosophy . 66 In the fifteenth century we have the one - act Prahasanas of which a typical example is " Dhurta- samagama " . But the drama from the ...
... century Krishna- mishra wrote " Prabodha - chandrodaya " , an eulogy of Vedantic philosophy . 66 In the fifteenth century we have the one - act Prahasanas of which a typical example is " Dhurta- samagama " . But the drama from the ...
Stran 15
... century brought vaudeville and melodrama but the period was unsuited for its development and growth and the soil was not well prepared for rich mental harvest . * It is true that the fortunes of the theatre depend upon the audience who ...
... century brought vaudeville and melodrama but the period was unsuited for its development and growth and the soil was not well prepared for rich mental harvest . * It is true that the fortunes of the theatre depend upon the audience who ...
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actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres