A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 3
Stran 4
... created nothing special . The most evident change was social rather than literary ; tearful and domestic comedy were the kinds created . The problem play is not the creation of Ibsen or even of the nineteenth century , Molière ...
... created nothing special . The most evident change was social rather than literary ; tearful and domestic comedy were the kinds created . The problem play is not the creation of Ibsen or even of the nineteenth century , Molière ...
Stran 11
... that it represents the life and thought of today . In many of his best plays , " Shah Jahan " and " Nur Jahan " in particular , Dwijendralal creates an atmos- phere and remarkable characters . In Tagore we are introduced 11.
... that it represents the life and thought of today . In many of his best plays , " Shah Jahan " and " Nur Jahan " in particular , Dwijendralal creates an atmos- phere and remarkable characters . In Tagore we are introduced 11.
Stran 50
... create a truly , and no doubt worthy , competitive spirit prizes for the best plays on almost any subject will be offered . It is true that the dramatists will be given rewards for their work but they shall give them freedom in their ...
... create a truly , and no doubt worthy , competitive spirit prizes for the best plays on almost any subject will be offered . It is true that the dramatists will be given rewards for their work but they shall give them freedom in their ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres