A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 8
Stran 5
... dramatist is the creation of beauty rather than the posing of problems , it would seem that the hope of the drama of the future centres round the poet dramatist ( only in a very limited way in India ) with his imaginative approach to ...
... dramatist is the creation of beauty rather than the posing of problems , it would seem that the hope of the drama of the future centres round the poet dramatist ( only in a very limited way in India ) with his imaginative approach to ...
Stran 12
... dramatists have drawn on the real and not the trivial problems of life . Dwijendralal and Tagore have taken their material from heroic legends and mythology . " They have touched contem- porary life " with such a depth of idealism that ...
... dramatists have drawn on the real and not the trivial problems of life . Dwijendralal and Tagore have taken their material from heroic legends and mythology . " They have touched contem- porary life " with such a depth of idealism that ...
Stran 52
... dramatists who won these prizes were Trenvev , Korneichuk , and Podogin for The Man with the Gun ' , and Sholvyov for ' Field Marshal Kutozov ( 1940 ) ' . Amongst the best dramatists now writing are Trenvev and Count Alexei Tolstoy ...
... dramatists who won these prizes were Trenvev , Korneichuk , and Podogin for The Man with the Gun ' , and Sholvyov for ' Field Marshal Kutozov ( 1940 ) ' . Amongst the best dramatists now writing are Trenvev and Count Alexei Tolstoy ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres