A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
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Zadetki 1–3 od 30
Stran 31
... plays . Today , even if someone really wrote a play , ( for plays are meant primarily to be heard and seen and not read , and everyone can't follow the Shavian technique and get away with it ) , he is likely to be denied all opportunity ...
... plays . Today , even if someone really wrote a play , ( for plays are meant primarily to be heard and seen and not read , and everyone can't follow the Shavian technique and get away with it ) , he is likely to be denied all opportunity ...
Stran 44
... plays will mostly be produced in the vernacular , for else the purpose is ill served . There will , however , be no bar to plays being produced in English or even written in English , for there is , and always will be a bi - lingual ...
... plays will mostly be produced in the vernacular , for else the purpose is ill served . There will , however , be no bar to plays being produced in English or even written in English , for there is , and always will be a bi - lingual ...
Stran 50
... plays the piper calls the tune ' ; but he has no right to go as far as to tell the piper how to play . It is not possible here , for it is out- side the scope of this book , to outline the precise nature of the details to be observed by ...
... plays the piper calls the tune ' ; but he has no right to go as far as to tell the piper how to play . It is not possible here , for it is out- side the scope of this book , to outline the precise nature of the details to be observed by ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres