A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 10
Stran 22
... playwrights . It is not my purpose to minimise the work done by various Amateur Dramatic Clubs but it is necessary to put everything in its place if we are to get any- where . The Theatre does not anticipate a flowering tomorrow for its ...
... playwrights . It is not my purpose to minimise the work done by various Amateur Dramatic Clubs but it is necessary to put everything in its place if we are to get any- where . The Theatre does not anticipate a flowering tomorrow for its ...
Stran 23
... playwrights turned in- creasingly to the peasant drama because the peasantry was then the masses . Without entirely renouncing the afflatus of romanticism this drama became inevit- ably realistic . Romanticism was inherent in Irish ...
... playwrights turned in- creasingly to the peasant drama because the peasantry was then the masses . Without entirely renouncing the afflatus of romanticism this drama became inevit- ably realistic . Romanticism was inherent in Irish ...
Stran 33
... Playwright and audience thus seem to be caught up , whenever plays are produced , in a vicious circle . The theatre and ... playwrights will have inevi- tably to discover something more of the community in which they live , move and have ...
... Playwright and audience thus seem to be caught up , whenever plays are produced , in a vicious circle . The theatre and ... playwrights will have inevi- tably to discover something more of the community in which they live , move and have ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres