A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 4
Stran 2
Baldoon Dhingra. The drama has been partial to the reconciliation of warring principles , the resolution of antagonisms . Even this art of conflicts and crises is , after all , an attempt to make man at home in an alien universe , to ...
Baldoon Dhingra. The drama has been partial to the reconciliation of warring principles , the resolution of antagonisms . Even this art of conflicts and crises is , after all , an attempt to make man at home in an alien universe , to ...
Stran 42
... principles laid down by the Dramatic School . One thing is certain . Whatever be the rules and principles then laid down , concentration , memory of emotion , dramatic action , characterisation , observation , and rhythm must be among ...
... principles laid down by the Dramatic School . One thing is certain . Whatever be the rules and principles then laid down , concentration , memory of emotion , dramatic action , characterisation , observation , and rhythm must be among ...
Stran 53
... principles , may develop far be- yond immediate possibilities and probabilities , and may give a healthy impetus to theatrical progress throughout the world . That there are , and always will be , difficulties , it needs hardly be ...
... principles , may develop far be- yond immediate possibilities and probabilities , and may give a healthy impetus to theatrical progress throughout the world . That there are , and always will be , difficulties , it needs hardly be ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres