A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 8
Stran 10
... sense that there were four pillars in the building , each different in colour , representing the four diffe- rent castes , implying that all four were to be found there . The theatre could seat about a thousand people and the colourful ...
... sense that there were four pillars in the building , each different in colour , representing the four diffe- rent castes , implying that all four were to be found there . The theatre could seat about a thousand people and the colourful ...
Stran 20
... sense , but in the sense that it bears an actual relevance to contemporary life . Actually the Old Vic alone has been able to conform to a definite policy whether of progressive art , revival of classics , or experimental plays ; for ...
... sense , but in the sense that it bears an actual relevance to contemporary life . Actually the Old Vic alone has been able to conform to a definite policy whether of progressive art , revival of classics , or experimental plays ; for ...
Stran 35
... big cities a fair sprinkling , is bad ; it is intelligent and serious , but uncritical , often super - reverential . * Cf . Granville Barker : " A National Theatre . " A National Theatre will restore to the plays the sense 35.
... big cities a fair sprinkling , is bad ; it is intelligent and serious , but uncritical , often super - reverential . * Cf . Granville Barker : " A National Theatre . " A National Theatre will restore to the plays the sense 35.
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres