A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 7
Stran 18
... spectator without being completely able to satisfy his dramatic needs . In the cinema at best the eyes are following an entrancing photograph of elaborately , delicately and subtly conceived situations . The legiti- mate actor , no ...
... spectator without being completely able to satisfy his dramatic needs . In the cinema at best the eyes are following an entrancing photograph of elaborately , delicately and subtly conceived situations . The legiti- mate actor , no ...
Stran 32
... spectator loves a drama at which he can weep a little , philosophise about life , listen to words of wisdom , more than any noisy vaudeville act after which nothing is left to feed the soul . DRAMA : EMOTIONAL NOURISHMENT A real ...
... spectator loves a drama at which he can weep a little , philosophise about life , listen to words of wisdom , more than any noisy vaudeville act after which nothing is left to feed the soul . DRAMA : EMOTIONAL NOURISHMENT A real ...
Stran 41
... spectator , for the contribution of the spectator is al- most as important as the cast . The audience must take part in the play if we are ever to see rising a true art of the theatre , the oldest , most powerful , and the most ...
... spectator , for the contribution of the spectator is al- most as important as the cast . The audience must take part in the play if we are ever to see rising a true art of the theatre , the oldest , most powerful , and the most ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres