A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
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Zadetki 1–3 od 22
Stran 10
... stage was democratic in the sense that there were four pillars in the building , each different in colour , representing the four diffe- rent castes , implying that all four were to be found there . The theatre could seat about a ...
... stage was democratic in the sense that there were four pillars in the building , each different in colour , representing the four diffe- rent castes , implying that all four were to be found there . The theatre could seat about a ...
Stran 28
... stage - designer has , for over a quarter of a century contributed in no small measure , to the Amateur Stage . Plays , ballets , dances and theatricals of every kind , of an amateur or professional nature , are frequently produced here ...
... stage - designer has , for over a quarter of a century contributed in no small measure , to the Amateur Stage . Plays , ballets , dances and theatricals of every kind , of an amateur or professional nature , are frequently produced here ...
Stran 42
... stage and not settled down to a fixed system of re - organisa- tion . What exactly this will be is to be determined by experimentation and to be decided by the principles laid down by the Dramatic School . One thing is certain ...
... stage and not settled down to a fixed system of re - organisa- tion . What exactly this will be is to be determined by experimentation and to be decided by the principles laid down by the Dramatic School . One thing is certain ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres