A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
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Zadetki 1–3 od 9
Stran 13
... technique of construction . It can produce , through the unlimited devices at its com- mand , a tremendous effect ; this is primarily auricular ; a host of wonderful images are conjured up and the imagination is aroused to a boundless ...
... technique of construction . It can produce , through the unlimited devices at its com- mand , a tremendous effect ; this is primarily auricular ; a host of wonderful images are conjured up and the imagination is aroused to a boundless ...
Stran 31
... technique and get away with it ) , he is likely to be denied all opportunity of seeing it performed . The difficulty of getting a play of distinc- tion produced discourages many men of quality ( those who are accomplised in the novel or ...
... technique and get away with it ) , he is likely to be denied all opportunity of seeing it performed . The difficulty of getting a play of distinc- tion produced discourages many men of quality ( those who are accomplised in the novel or ...
Stran 52
... technique . Good dialogue is hard to get by ; it is usually so stilted and unnatural . Gordon Macleod has rightly understood the problem , for he says : " Good plays are seldom written by outsiders . Most of the great dramatists of the ...
... technique . Good dialogue is hard to get by ; it is usually so stilted and unnatural . Gordon Macleod has rightly understood the problem , for he says : " Good plays are seldom written by outsiders . Most of the great dramatists of the ...
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actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres