A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 5
Stran xi
... thought , a prompter of Conscience , an elucidator of social conduct an armoury against despair and dulness , and a temple of the ascent of Man . GEORGE BERNARD SHAW Man is God in ruins . EMERSON DRADER CARA V HTTAN INTRODUCTORY THE ...
... thought , a prompter of Conscience , an elucidator of social conduct an armoury against despair and dulness , and a temple of the ascent of Man . GEORGE BERNARD SHAW Man is God in ruins . EMERSON DRADER CARA V HTTAN INTRODUCTORY THE ...
Stran 11
... , in the sense that it represents the life and thought of today . In many of his best plays , " Shah Jahan " and " Nur Jahan " in particular , Dwijendralal creates an atmos- phere and remarkable characters . In Tagore we are introduced 11.
... , in the sense that it represents the life and thought of today . In many of his best plays , " Shah Jahan " and " Nur Jahan " in particular , Dwijendralal creates an atmos- phere and remarkable characters . In Tagore we are introduced 11.
Stran 13
... thought that the printing press would reduce the importance of the spoken word ; modern technique has altered conditions again , and now , the living voice has recovered much of its ancient power . The radio may be most effectively used ...
... thought that the printing press would reduce the importance of the spoken word ; modern technique has altered conditions again , and now , the living voice has recovered much of its ancient power . The radio may be most effectively used ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres