A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 6
Stran 31
... tion produced discourages many men of quality ( those who are accomplised in the novel or short story technique ) from continuing to practise this craft , hence the poverty of the play as compared to the novel . The theatre , I repeat ...
... tion produced discourages many men of quality ( those who are accomplised in the novel or short story technique ) from continuing to practise this craft , hence the poverty of the play as compared to the novel . The theatre , I repeat ...
Stran 41
... tion . It is to the actor and no one else that the theatre belongs . This does not mean the professional actor , but the actor as poet , as director , musician , stage designer , and certainly not the least of all the actor as spectator ...
... tion . It is to the actor and no one else that the theatre belongs . This does not mean the professional actor , but the actor as poet , as director , musician , stage designer , and certainly not the least of all the actor as spectator ...
Stran 42
... tion . What exactly this will be is to be determined by experimentation and to be decided by the principles laid down by the Dramatic School . One thing is certain . Whatever be the rules and principles then laid down , concentration ...
... tion . What exactly this will be is to be determined by experimentation and to be decided by the principles laid down by the Dramatic School . One thing is certain . Whatever be the rules and principles then laid down , concentration ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres