A National Theatre for IndiaPadma Publications Limited, 1944 - 54 strani |
Iz vsebine knjige
Zadetki 1–3 od 4
Stran 13
... voice has recovered much of its ancient power . The radio may be most effectively used for the purposes of training the voice for those who care to learn and apply themselves diligently . A people could be trained , while communing in ...
... voice has recovered much of its ancient power . The radio may be most effectively used for the purposes of training the voice for those who care to learn and apply themselves diligently . A people could be trained , while communing in ...
Stran 42
... voice control , make - up , diction . Secondly : educational history , ( especially of drama ) , acting , stage - work , lighting . Thirdly , education of the soul : an actor must have complete possession of the following faculties ...
... voice control , make - up , diction . Secondly : educational history , ( especially of drama ) , acting , stage - work , lighting . Thirdly , education of the soul : an actor must have complete possession of the following faculties ...
Stran 43
... voices of India's most cultured men . LANGUAGE AND THE WORD ' NATIONAL ' It is not to be understood that a simple language shall be the one that can dominate the stage . The language problem is something people have made much of . The ...
... voices of India's most cultured men . LANGUAGE AND THE WORD ' NATIONAL ' It is not to be understood that a simple language shall be the one that can dominate the stage . The language problem is something people have made much of . The ...
Pogosti izrazi in povedi
actor Amateur Art Theatre artistic beauty Bengal Bharata Brahma cater century character Children's Theatre comedy creation creative spirit culture dance dramatic art dramatists Dwijendralal effort Elizabethan drama emotional emphasised entertainment existence expression favour function Greek groundlings Group Theatre human ideal imagination imitation important INDIAN DRAMA Indian theatre IRISH NATIONAL Kalidasa's Lahore language live loveliness mankind marionette mask mediæval ment Modern drama Molière mood Moscow Art Moscow Art Theatre movements National Theatre nature needs never OPEN AIR THEATRE perfect performance playwrights poet poetry popular present primarily problem produced Propaganda Puppet Theatre purpose Ramayana realise regisseur rehearsal romantic Russia Sanskrit drama says sense serious plays Shadow Play Shakespeare Shakuntala Shaw simple social soul Soviet Theatre spectacle spectator stage Stalin Tagore Tandra Devi technique theatre belongs THEATRE FOR INDIA theatrical thing tion tragedy type of play vaudeville Veda Village Theatres