LOTHAR, RUDOLPH, 1865- The Harlequin King, a play in four acts, by J. Severance, MOSENTHAL, SALMON HERMANN VON, 1821-1877. N. C. Gyda, a play, ad. from the German by J. Schönberg, 1875. Leah, the Forsaken, a play in five acts, from the German by same, tr. from the German by W. Benneux and Isabella Orsini, a romantic drama in four acts, tr. and ad. Moser, Gustav VON, 1825-1903. An Artist Taylor, a dramatic composition in four acts, based Arabian (An) Night, or Haroun al Rachid and His Mother- Confidential Clerk, ad. by Sydney Wittman and Shedden Wilson. "Presented at Daly's Theatre, N. Y., for the first time, Nov. 29, 1879. I Shall Invite the Major, a petite comedy in one act, literally tr. by Sydney Rosenfeld, pub. in De Witt's Acting Plays, No. 175, N. Y., 1875. Lot 49, a farce in one act, from the German by W. J. Fisher, pub. by Samuel French, London (in Acting Plays, Vol. 135). Medium, a comedy in four acts, ad. by R. Rudelius, San Francisco, 1880. Our Regiment, a farcial comedy in three acts, pub. by Samuel French, London (in Acting Plays, No. 132). Private (The) Secretary,23 ad. by Charles Hawtrey, pub. by Samuel French, 1884 and 1907 (in French's International Copyrighted Edition of the Works of the Best Authors, No. III). same, under title The Secretary, ad. to the American stage by William Gillette, N. Y., 1882. N. C. same, under title The Librarian, ad. by H. G. Dre sel and E. S. Rheem, Washington, D. C., 1885. N. C. Ultimo, or Bulls and Bears, a comedy in four acts, founded on the German, by Bartley Campbell, San Francisco, 1875. N. C. same, under title The Big Bonanza,25 ad. by Augustin Daly, 1875. L. C. Violet Eater (The), a drama in three acts, mss. prompt book in Beck's Bequest, N. Y. Public Library. MOSER, GUSTAV VON, and SCHÖNTHAN, FRANZ VON, 1849 Passing (The) Regiment,26 a play in five acts, ad. by Augustin Daly, N. Y. Copyrighted 1886. N. C. MUELLER, HANS, 1882 Love (The) Coast (Die Blaue Küste), comedy in three acts, ad. by Mrs. Charles A. Doremus. Copyrighted by Carczak Pub. Co., N. Y., 1915. Typewritten. L. C. 23 Presented in New York, 1884. "Presented in New York, 1884, under title of Digby's Secretary. 25 Presented at Fifth Avenue Theatre, N. Y., Feb. 15, 1875. John Drew here made his first appearance with Aug. Daly. Cf. Clapp and Edgett, Plays of the Present, p. 39. Played at the Strand Theatre, London, 1885, under title On Change, or The Professor's Venture. 20 Presented at Daly's Theatre, N. Y., beg. Nov. 10, 1881. MUELLER, HUGO, 1831-1881. Adelaide, a play in one act, ad. by David Bispham, N. Y., 1897. Typewritten. L. C. NORDAU, MAX, 1849 Doctor Kohn, a tragedy of the present day, tr. by Mary Joanna Safford, Washington, D. C., 1899. N. C. Question (A) of Honor, a tragedy of the present day in four acts, tr. by Mary Joanna Safford, pub. by John W. Luce, Boston, 1907. Right (The) to Love, authorized edition, tr. by Mary Joanna Safford, pub. by F. T. Neely, N. Y., 1895. same, a drama in four acts, from the German by Emil Blum, Allegheny, Pa., 1892. N. C. Shackles (The) of Fate, a play in five acts, pub. by Hurst & Co., N. Y., and by F. T. Neely, London and New York (in Neely's Prismatic Library), 1897. PHILIPPI, FELIX, 1851 Anonymous, a drama in three acts, ad. by Emily Howard, St. Louis, 1899. N. C. Great (The) Light, tr. and ad. by Charles Swickard, N. Y., 1903. Typewritten. L. C. PINSKI, DAVID, 1872. The Treasure,27 original in Yiddish, was published in German and tr. from that language by Ludwig Lewisohn, pub. by B. W. Huebsch, N. Y., 1916. Roessler, Carl, 1864 Five (The) Frankforters, comedy in three acts, authorized English version by J. Fuchs, with a preface by the translator Concerning the Jews of Frankfort, pub. by H. K. Fly Co., N. Y., 1913. "Its original publication was the German translation, presented on the German stage by Max Reinhardt. ROSEN, JULIUS VON, 1833-1892. Model (A) Husband, a comedy in four acts, ad. by Adolph Stein, Philadelphia, 1880. N. C. Oh, these Naughty Men, comedy in four acts, tr. and ad. from Diese Männer, by Adolph Neuendorff, 1877. N. C. Needles and Pins, comedy in four acts, from the German by Augustin Daly, N. Y., 1880. L. C. Nancy & Co., a comedy in four acts, from the German by Augustin Daly, N. Y., 1884. L. C. Quits, or A Game of Tit-for-Tat, a comedy in four acts, from the German by Augustin Daly, N. Y., 1881. N. C. ROSMER, ERNST (Pseud. for ELSA PORGES BERNSTEIN), 1866John Herkner, tr. by Mary Harned, in Poet Lore, Vol. 22, P. 321 ff. Twilight, tr. by Paul H. Grummann, in Poet Lore, Vol. 23, P. 369 ff. SALTEN, FELIX, 1869 Love (The) of Life, ad. from the German Der Ernst des Lebens, by Jos. H. Neebe, Chicago, 1910. Typewritten. L. C. SCHNITZLER, ARTHUR, 1862 Anatol,28 a sequence of dramatic dialogues, paraphrased for the English stage by Granville Barker, pub. by Mitchell Kennerley, N. Y., 1911. same, Scenes from Anatol, in Green Book Magazine, Vol. 8, pp. 818-24, Nov., 1912. same, extract from Anatol, tr. by W. H. H. Chambers, under title Questioning the Irrevocable (Die Frage an das Schicksal), in Bates, The Modern Drama, Vol. 12, p. 329 ff., London, 1903. Duke (The) and the Actress, tr. by Hans Weysz in Poct Lore, Vol. 21, p. 257 ff. 23 Presented for the first time in America, on the American stage under title Affairs of Anatol, at the Little Theatre, N. Y., Oct. 14, 1912; at Palace Theatre, London, Mar., 1911, and also at the Little Theatre, London, Mar., Gallant Cassian, a puppet-play in one act, tr. from the third edition of the original by Adam L. Gowans, copyrighted by Gowans & Gray, Ltd., London, 1914. Green (The) Cockatoo,29 Paracelsus, and Companion (The), in one volume, tr. by Horace B. Samuels, pub. by Gay & Hancock, London, 1913, and by A. C. McClurg & Co., Chicago, 1913. Green (The) Cockatoo, tr. by Horace B. Samuels, in The · German Classics, Vol. 20, p. 289 ff. Hour (The) of Reckoning, a comedy of words. English by Pierre Loving, in International Magazine, Vol. 10, p. 167 ff. In the Hospital 30 (Die letzten Masken). Lady (The) with the Dagger, tr. by Helen Tracy Porter, in Poet Lore, Vol. 15, No. II, p. 1 ff. same, as Woman with the Dagger, tr. by Horace B. Samuels, in Fortnightly Review, Vol. 91, p. 1179 ff. 4, p. 92 ff. same, abridged in International Magazine, Vol. Legacy (The),30a tr. by Mary L. Stephenson, in Poet Lore, Vol. 22, p. 241 ff. March, 1912. same, sketch in N. Y. Dramatic News, Vol. 55, Light-o'-Love, a drama in three acts, tr. by Bayard Quincy Morgan, pub. by the Chicago Dramatic Pub. Co., Chicago, and in The Drama, No. 7, p. 14 ff., 1912. same, under title Playing with Love, tr. by P. Morton Shand. The prologue to Anatol, by Hugo von Hofmannsthal, rendered into English verse by Trevor Blakemore, pub. by Gay & Hancock, London, 1914. same, under title The Reckoning,31 drama in "Presented at the Lyceum Theatre, N. Y., beg. Apr. 11, 1910, but the version used was made by Philip Littell. * Presented at Court Theatre, London, Feb. 28, 1905, under the VedrenneBarker management. 20 Presented at the Empire Theatre, N. Y., Mar. 14, 1912. Matinee of American Academy of Fine Arts. "Presented at Berkeley Lyceum Theatre, N. Y., beg. Feb. 12, 1907, under title Flirtation, also at Berkeley Theatre, by the Progressive Stage Society and at His Majesty's Theatre, London, May, 1909. . |