70 His bonnet vail'd, ere ever I could think, The sportful wind, to mock the headless man, Tosses apace his pitch'd Rogerian, And straight it to a deeper ditch hath blown : I look'd and laugh'd, and much I marvelled, SATIRE VII*. BOOK III. SEEST thou how gaily my young master goes, So little in his purse, so much upon his back? Though he perhaps ne'er pass'd the English shore, Yet fain would counted be a conqueror. His hair, French-like, stares on his frighted head, One lock amazon-like dishevelled, As if he meant to wear a native cord, If chance his fates should him that bane afford. * * *In this description of a famished gallant, Hall has rivalled the succeeding humour of Ben Jonson in similar comic portraits. Among the traits of affectation in his finished character, is that of dining with duke Humphry while he pretends to keep open house.-The phrase of dining with Duke Humphry arose from St. Paul's being the general resort of the loungers of those days, many of whom, like Hall's gallant, were glad to beguile the thoughts of dinner with a walk in the middle aisle, where there was a tomb, by mistake supposed to be that of Humphry, Duke of Gloucester.-E. * SATIRE VIt. BOOK IV. Quid placet ergo? * I wor not how the world's degenerate, That were not meet some pannel to bestride, The general scope of this satire, as its motto denotes, is directed against the discontent of human beings with their respective conditions. It paints the ambition of the youth to become a man, of the muckworm to be rich, of the rustic to become a soldier, of the rhymer to appear in print, and of the brain-sick reader of foreign wonders to become a traveller.-E. He sleeps but once, and dreams of burglary, Now with discourses breaks his midnight sleep And now he plies the news-full Grasshopper, His land mortgaged, he sea-beat in the way, Was a native of Oxfordshire, and was born, as Mr. Ellis conjectures, in 1558. He left the university of Oxford without a degree, and came to London, where he pursued the business of an attorney of the common pleas. Scott, the poet of Amwell, discovered that he had been buried in the church of that parish in 1609, having died suddenly in the night-time.* His "Albion's England" was once exceedingly popular. Its publication was at one time interdicted by the Star-chamber, for no other reason that can now be assigned, but that it contains some love-stories more simply than delicately related. His contemporaries compared him to Virgil, whom he certainly did not make his WILLIAM WARNER To know much, and to think for nothing, know [Died, 1608-9.] model. Dr. Percy thinks he rather resembled Ovid, to whom he is, if possible, still more unlike. His poem is, in fact, an enormous ballad on the history, or rather on the fables appendant to the history of England; heterogeneous, indeed, like the Metamorphoses, but written with an almost doggrel simplicity. Headley has rashly preferred his works to our ancient ballads; but with the best of these they will bear no comparison. Argentile and Curan has indeed some beautiful touches, yet that episode requires to be weeded of many lines to be read with unqualified pleasure; and through the rest of his stories we shall search in vain for the familiar magic of such ballads as Chevy Chase or Gill Morrice. ARGENTILE AND CURAN. Argentile, the daughter and heiress of the deceased King, * [* 9th March 1608—9.] * YET well he fosters for a time the damsel, that was grown The fairest lady under heav'n, whose beauty being known, A many princes seek her love, but none might A brace of years he lived thus, well pleased so to live, her obtain, And, shepherd-like, to feed a flock himself did wholly give; For gripel Edel to himself her kingdom sought to gain, So wasting love, by work and want, grew almost to the wane, And for that cause, from sight of such he did his ward restrain. And then began a second love the worser of the twain; A country wench, a neat-herd's maid, where Curan kept his sheep, Did feed her drove ; and now on her was all the shepherd's keep. He borrow'd on the working days his holie russets oft, And of the bacon's fat to make his startups black and soft, And lest his tar-box should offend, he left it at the fold: By chance one Curan, son unto a Prince of Danske, did see The maid with whom he fell in love, as much as one might be : Unhappy youth, what should he do? his saint Nor he nor any nobleman admitted to her view : And still against the king's restraint did secretly inveigh. Sweet grout or whig his bottle had as much as it might hold; A shave of bread as brown as nut, and cheese as white as snow, And wildings, or the season's fruit, he did in scrip bestow; And whilst his pyebald cur did sleep, and sheep- On hollow quills of oaten straw he piped melody; * * * * * * * * * Not caring what became of her, so he by her Thou art too elvish, faith, thou art; too elvish might thrive; At last his resolution was some peasant should her At length the high controller, Love, whom none may disobey, Imbased him from lordliness into a kitchen drudge, That so at least of life or death she might become his judge;. Access so had, to see and speak, he did his love bewray, And tells his birth-her answer was, she husbandless would stay: Meanwhile the king did beat his brain, his booty to achieve, * * wive: And (which was working to his wish) he did ob- Believe me, lass, a king is but a man, and so am I; How Curan, whom he thought a drudge, scap'd As late it did a king, and his, not dwelling far Lest that the baseness of the man should let perhaps his will; Assured, therefore, of his love, but not suspecting The lover was, the king himself in his behalf did woo: Should bar the noble and unto so base a match And therefore, shifting out of doors, departed his heart Forgetful of hmself, his birth, his country, friends, and all, And only minding whom he miss'd, the foundress of his thrall: and too coy; Am I, I pray thee, beggarly, that such a flock enjoy? * * * * * Nor means he after to frequent the court, or stately towns, But solitarily to live among the country growns. Who left a daughter, save thyself, for fair a matchless wench; Here did he pause, as if his tongue had done his heart offence : The neatress, longing for the rest, did egg him on to tell She bore, How fair she was, and who she was. For beauty, though I clownish am, I know what Or did I not, yet seeing thee, I senseless were to miss: Suppose her beauty Helen's like, or Helen's something less, And every star consorting to a pure complexion guess; Her stature comely tall, her gait well graced, and her wit To marvel at, not meddle with, as matchless I omit ; A globe-like head, a gold-like hair, a forehead smooth and high, An even nose; on either side did shine a greyish eye. A TAILOR, thought a man of upright dealing- I grant, quoth she, it was too much, that you did love so much, SIR JOHN HARRINGTON. But whom your former could not move, your second love doth touch; Thy twice-beloved Argentile submitteth her to thee, And, for thy double love, presents herself a single fee; In passion, not in person, changed; and I, my lord, am she ; Thus sweetly surfeiting in joy, and silent for a [Born, 1561? Died, 1612?] space, When as the ecstasy had end, did tenderly embrace. * FROM SIR JOHN HARRINGTON'S EPIGRAMS. OF A PRECISE TAILOR. His son, the translator of Ariosto, was knighted on the field by the Earl of Essex, not much to the satisfaction of Elizabeth, who was sparing of such honours, and chose to confer them herself. He was created a knight of the Bath in the reign of James, and distinguished himself, to the violent offence of the high church party, by his zeal against the marriage of bishops. He walked mannerly, he talked meekly, And in his speech he used no oath; but truly 74 HENRY PERROT.-SIR THOMAS OVERBURY. This done (I scant can tell the rest for laughter) A captain of a ship came three days after, To make Venetians down below the garters. AMBITIO FEMININI GENERIS. HENRY PERROT'S BOOK OF EPIGRAMS, ENTITLED "SPRINGES FOR WOODCOCKS." (EDIT. 1613.) PERROT, I suspect, was not the author, but only the collector of these trifles, some of which are claimed by other epigrammatists, probably with no better right. It is indeed very difficult to ascertain the real authors of a vast number of little pieces of the 16th and 17th centuries, as the minor poets pilfer from each other with the utmost coolness and apparent impunity. MISTRESS Matrossa hopes to be a lady, He, that precisely knew what was enough, FROM Was born in 1581, and perished in the Tower of London, 1613, by a fate that is too well known. The compassion of the public for a man of worth, "whose spirit still walked unrevenged amongst them," together with the contrast of his ideal Wife with the Countess of Essex, who was his murderess, attached an interest and popularity to his poem, and made it pass through sixteen editions before the year 1653. His Characters, or Witty Descriptions of the Properties of sundry Persons, is a work of considerable merit; but unfortunately his prose, as well as his verse, has SIR THOMAS OVERBURY [Born, 1581. Died, 1613] * * * * * * THEN may I trust her body with her mind, NEC SUTOR ULTRA. FROM THE SAME. A COBBLER and a curate once disputed, a dryness and quaintness that seem to oppress the natural movement of his thoughts. As a poet, he has few imposing attractions: his beauties must be fetched by repeated perusal. They are those of solid reflection, predominating over, but not extinguishing, sensibility; and there is danger of the reader neglecting, under the coldness and ruggedness of his manner, the manly but unostentatious moral feeling that is conveyed in his maxims, which are sterling and liberal, if we can only pardon a few obsolete ideas on female education. FROM SIR THOMAS OVERBURY'S POEM, THE WIFE. |