Herbie Hancock: PossibilitiesPenguin, 23. okt. 2014 - 352 strani The long-awaited memoir by one of the most influential and beloved musicians of our time In Herbie Hancock the legendary jazz musician and composer reflects on a life and a thriving career that has spanned seven decades. A true innovator, Hancock has had an enormous influence on both acoustic and electric jazz, R&B and hip-hop, with his ongoing exploration of different musical genres, winning fourteen Grammy awards along the way. From his beginnings as a child prodigy to his work in Miles Davis’s second great quintet; from his innovations as the leader of his own groundbreaking sextet to his collaborations with everyone from Wayne Shorter to Joni Mitchell and Stevie Wonder; Herbie Hancock reveals the method behind Hancock’s undeniable musical genius. Hancock shares his musical influences, colorful behind-the-scenes stories, his long and happy marriage, and how Buddhism inspires him creatively and personally. Honest, enlightening, and as electrifyingly vital as the man who wrote it, Herbie Hancock promises to be an invaluable contribution to jazz literature and a must-read for fans and music lovers. |
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... CHAPTER SIXTEEN CHAPTER SEVENTEEN CHAPTER EIGHTEEN CHAPTER NINETEEN CHAPTER TWENTY CHAPTER TWENTYONE CHAPTER TWENTYTWO CHAPTER TWENTYTHREE CHAPTER TWENTYFOUR PHOTOGRAPHS ACKNOWLEDGMENTS INDEX I CHAPTER ONE 'm onstage at a.
... CHAPTER SIXTEEN CHAPTER SEVENTEEN CHAPTER EIGHTEEN CHAPTER NINETEEN CHAPTER TWENTY CHAPTER TWENTYONE CHAPTER TWENTYTWO CHAPTER TWENTYTHREE CHAPTER TWENTYFOUR PHOTOGRAPHS ACKNOWLEDGMENTS INDEX I CHAPTER ONE 'm onstage at a.
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Herbie Hancock, Lisa Dickey. PHOTOGRAPHS ACKNOWLEDGMENTS INDEX I CHAPTER ONE 'm onstage at a concert hall in.
Herbie Hancock, Lisa Dickey. PHOTOGRAPHS ACKNOWLEDGMENTS INDEX I CHAPTER ONE 'm onstage at a concert hall in.
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... onstage. As soon as I played that chord I judged it. In my mind it was the “wrong” chord. But Miles never judged it—he just heard it as a sound that had happened, and he instantly took it on as a challenge, a question of How can I ...
... onstage. As soon as I played that chord I judged it. In my mind it was the “wrong” chord. But Miles never judged it—he just heard it as a sound that had happened, and he instantly took it on as a challenge, a question of How can I ...
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... onstage, with the CSO. By that point I'd been taking lessons for four years, and playing piano was pretty much all I did. I practiced Mozart's Piano Concerto no. 18 in Bflat Major, K. 456, every day for nearly a year, and when my ...
... onstage, with the CSO. By that point I'd been taking lessons for four years, and playing piano was pretty much all I did. I practiced Mozart's Piano Concerto no. 18 in Bflat Major, K. 456, every day for nearly a year, and when my ...
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... onstage improvising with a group of jazz musicians, just letting loose in whatever direction I felt like playing. The whole night felt magical. But then came the nasty wakeup call: I had ignored my classes so completely that, unless I ...
... onstage improvising with a group of jazz musicians, just letting loose in whatever direction I felt like playing. The whole night felt magical. But then came the nasty wakeup call: I had ignored my classes so completely that, unless I ...
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CHAPTER FIVE | |
CHAPTER SEVEN | |
CHAPTER NINE | |
CHAPTER ELEVEN | |
CHAPTER THIRTEEN | |
CHAPTER FIFTEEN | |
CHAPTER SEVENTEEN | |
CHAPTER NINETEEN | |
CHAPTER TWENTYONE | |
CHAPTER TWENTYTHREE | |
PHOTOGRAPHS | |
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