The Beginnings of the English Romantic Movement: A Study in Eighteenth Century LiteratureGinn, 1893 - 192 strani |
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
Addison admirer Allan Ramsay ancient appeared authorship Bard beauty blank verse BOYSE Canto Castle of Indolence Castle of Otranto cents Classic Classicists contemporary critical Croxall death Edited by Professor Elegy English literature English poetry Essay evidence Fairy Queen fashion genius Gosse Gothic Gray Gray's heroic couplet Horace imagination imitation of Spenser influence interesting Johnson Joseph Warton letter literary Macpherson mailing price Mallet Mason melancholy Milton Miscellany mountains nature never Old Ballads old English original Ossian Percy Percy's piece Pindaric poem poet poetic Pope Pope's popular preface printed Prior prose published Ramsay Ramsay's Reliques remarkable revival riming Romantic movement Romantic poetry Romanticism Romanticists Samuel Croxall satire says Shakspere Shenstone shows significant songs sonnet Spenser Spenserian imitations Spenserian stanza spirit style taste Thomas Warton Thomson thought translation versification volume Walpole Warton wild William and Margaret words writing written wrote
Priljubljeni odlomki
Stran 164 - On a rock, whose haughty brow Frowns o'er old Conway's foaming flood, Robed in the sable garb of woe, With haggard eyes the poet stood; (Loose his beard and hoary hair Streamed like a meteor to the troubled air;) And with a master's hand and prophet's fire Struck the deep sorrows of his lyre: 'Hark, how each giant oak and desert cave Sighs to the torrent's awful voice beneath!
Stran 169 - I do not remember to have gone ten paces without an exclamation, that there was no restraining. Not a precipice, not a torrent, not a cliff, but is pregnant with religion and poetry.
Stran 120 - D'URFEY'S (" Tom") WIT AND MIRTH ; or, PILLS TO PURGE MELANCHOLY. Being a Collection of the best Merry Ballads and Songs, Old and New. Fitted to all Humours, having each their proper Tune for either Voice or Instrument ; most of the Songs being new set.
Stran 164 - Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds : Save that, from yonder ivy-mantled tower, The moping owl does to the moon complain, Of such as, wandering near her secret bower, Molest her ancient solitary reign.
Stran 179 - When it was grown to dark midnight, And all were fast asleep, In came Margaret's grimly ghost, And stood at William's feet.
Stran 164 - Where each old poetic mountain Inspiration breathed around : Every shade and hallow'd fountain Murmur'd deep a solemn sound : Till the sad Nine- in Greece's evil hour, Left their Parnassus for the Latian plains.
Stran 169 - Borrodale, with that turbulent chaos of mountain behind mountain, rolled in confusion; beneath you, and stretching far away to the right, the shining purity of the Lake, just ruffled by the breeze, enough to shew it is alive, reflecting rocks, woods, fields, and inverted tops of mountains, with the white buildings of Keswick, Crosthwait church, and Skiddaw for a background at a distance.
Stran 106 - I waked one morning in the beginning of last June from a dream, of which all I could recover was, that I had thought myself in an ancient castle (a very natural dream for a head filled like mine with Gothic story) and that on the uppermost bannister of a great staircase I saw a gigantic hand in armour.
Stran 165 - Ere the ruddy sun be set, Pikes must shiver, javelins sing, Blade with clattering buckler meet, Hauberk crash, and helmet ring. (Weave the crimson web of war) Let us go, and let us fly, Where our Friends the conflict share, Where they triumph, where they die. As the paths of fate we tread, Wading thro' th' ensanguin'd field : Gondula, and Geira, spread O'er the youthful King your shield.
Stran 150 - Fingal, an Ancient Epic Poem, in Six Books : Together with several other Poems, composed by Ossian the Son of Fingal. Translated from the Galic Language, by James Macpherson.