Literary Criticism in England, 1660-1800

action admiration ancient appear association beauty better called cause century character comedy common composition considered criticism delight discover distinct Dryden effect emotion English Essay example excellence experience expression fancy feel French genius give greater human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleasing pleasure poem poet poetry Pope practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste things thought tion tragedy true truth turn understanding variety verse whole writing