The Study of a NovelD.C. Heath, 1905 - 331 strani |
Iz vsebine knjige
Zadetki 1–5 od 74
Stran xviii
... Elements 174. The Causes of Influence CHAPTER XII COMPARATIVE RHETORIC 175. Nature of the Study 176. The Forms of Discourse 177. Prose and Poetry 178. Prose and Verse 179. The Short Story 180. The Epic 181. Biography • • • PAGE 184 ...
... Elements 174. The Causes of Influence CHAPTER XII COMPARATIVE RHETORIC 175. Nature of the Study 176. The Forms of Discourse 177. Prose and Poetry 178. Prose and Verse 179. The Short Story 180. The Epic 181. Biography • • • PAGE 184 ...
Stran 10
... is more flexible than in most forms of prose , and is one of the elements in the complexity of novelistic structure . It may be differentiated for narrative , descriptive , dramatic , IO THE STUDY OF A NOVEL The Paragraph.
... is more flexible than in most forms of prose , and is one of the elements in the complexity of novelistic structure . It may be differentiated for narrative , descriptive , dramatic , IO THE STUDY OF A NOVEL The Paragraph.
Stran 13
... element , either to aid in charac- terization , or to give color to a particular time or place setting , especially in historical fiction . Many lyrics are found in Scott's romances . Examples of more recent realistic use are found in ...
... element , either to aid in charac- terization , or to give color to a particular time or place setting , especially in historical fiction . Many lyrics are found in Scott's romances . Examples of more recent realistic use are found in ...
Stran 15
... elements of complexity in its structure . For convenience , all language presented as spoken may be called " dialogic ; " all presented as written , " document- ary . " A conscious , sustained alternation of dramatic and non - dramatic ...
... elements of complexity in its structure . For convenience , all language presented as spoken may be called " dialogic ; " all presented as written , " document- ary . " A conscious , sustained alternation of dramatic and non - dramatic ...
Stran 25
... elements . Considered as narrative , the novel employs the power of words to accelerate , retard , produce suspense , surprise , climax , etc .; as description , it has been prominent in the selection and determination of a specialized ...
... elements . Considered as narrative , the novel employs the power of words to accelerate , retard , produce suspense , surprise , climax , etc .; as description , it has been prominent in the selection and determination of a specialized ...
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Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
Adam Bede æsthetic analysis artistic Balzac Bennet catastrophe Chapter character characteristic characterization climactic climax complex composition conception conscious considered contrast criticism definite Defoe dialogue distinct Don Quixote dramatic dramatis personæ effect elements Elizabeth Bennet emotional emphasized epic episodic Eppie ethical example experience external frequently George Eliot give given Godfrey Godfrey Cass Gothic hero historical fiction human ideal illusion imagination important incidents individual novel influence interest interpretation Ivanhoe Jane Austen literary literature lyric mainly masses ment mental method modern moral movement narration narrative nature non-dramatic novel of manners novelist plot point of view Pride and Prejudice Promessi Sposi prose psychological reader realistic relations religious Robinson Crusoe scenes Scott sense sequence settings short story significant Silas Marner single actions social groups Spielhagen spirit structure subject-matter suggested supernatural technical theme theory tion tragic types typical unified unity Waverley Novels
Priljubljeni odlomki
Stran 261 - Art is a human activity, consisting in this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that other people are infected by these feelings, and also experience them.
Stran 229 - If we read of one man robbed, or murdered, or killed by accident, or one house burned, or one vessel wrecked, or one steamboat blown up, or one cow run over on the Western Railroad, or one mad dog killed, or one lot of grasshoppers in the winter, — we never need read of another. One is enough. If you are acquainted with the principle, what do you care for a myriad instances and applications...
Stran 143 - Just when I seemed about to learn! Where is the thread now? Off again! The old trick! Only I discern — Infinite passion and the pain Of finite hearts that yearn.
Stran 80 - The golden ripple on the wall came back again, and nothing else stirred in the room. The old, old fashion! The fashion that came in with our first garments, and will last unchanged until our race has run its course, and the wide firmament is rolled up like a scroll. The old, old fashion — Death!
Stran 293 - A novel is a large diffused picture, comprehending the characters of life, disposed in different groups, and exhibited in various attitudes, for the purposes of a uniform plan, and general occurrence, to which every individual figure is subservient. But this plan cannot be executed with propriety, probability, or success, without a principal personage to attract the attention, unite the incidents, unwind the clue of the labyrinth, and at last close...
Stran 302 - The only reason for the existence of a novel is that it does attempt to represent life.
Stran 73 - ... for want of a nail the shoe was lost; for want of a shoe the horse was lost; and for want of a horse the rider was lost...
Stran xii - To-day's brief passion limits their range; It seethes with the morrow for us and more. They are perfect — how else? they shall never change: We are faulty — why not ? we have time in store. The Artificer's hand is not arrested With us; we are rough-hewn, nowise polished: They stand for our copy, and, once invested With all they can teach, we shall see them abolished.
Stran 291 - THERE remains to be treated of, another species of composition in prose, which comprehends a very numerous, though, in general, a very insignificant class of writings, known by the name of Romances and Novels.
Stran 201 - Similarly, when I am reminded by any chance of what it was that the waves were always saying, I wander in my fancy for a whole winter night about the streets of Paris — as I really did, with a heavy heart, on the night when my little friend and I parted company for ever.