The Study of a NovelD.C. Heath, 1905 - 331 strani |
Iz vsebine knjige
Zadetki 1–5 od 82
Stran xiv
... Narratives • · CHAPTER III PLOT PAGE 28 · 29 30 31 32 33 34 36 www . 37 38 39 40 42 3449 • 45 46 • 42. Meaning of Plot 43. Necessity and Ideality of Narrative Plot . 44. Action and Narration 47 48 45. Story 46. Story and Plot 47. The ...
... Narratives • · CHAPTER III PLOT PAGE 28 · 29 30 31 32 33 34 36 www . 37 38 39 40 42 3449 • 45 46 • 42. Meaning of Plot 43. Necessity and Ideality of Narrative Plot . 44. Action and Narration 47 48 45. Story 46. Story and Plot 47. The ...
Stran 7
... narrative quality of Defoe's novels is emphasized by his habitual limitation to the paragraph . Clara Reeve's Old English Baron and 41 } ་ ས to quote chapter and book Brooke's EXTERNAL STRUCTURE 7 Principal Divisions of a Novel.
... narrative quality of Defoe's novels is emphasized by his habitual limitation to the paragraph . Clara Reeve's Old English Baron and 41 } ་ ས to quote chapter and book Brooke's EXTERNAL STRUCTURE 7 Principal Divisions of a Novel.
Stran 8
... narrative , Wilhelm Meisters Lehrjahre , Book VI . Balzac frequently uses parts ( A Woman of Thirty , Lost Illusions , etc. ) , and in general a somewhat complicated division . Parts are found in Zola's Downfall and The Soil , Scarron's ...
... narrative , Wilhelm Meisters Lehrjahre , Book VI . Balzac frequently uses parts ( A Woman of Thirty , Lost Illusions , etc. ) , and in general a somewhat complicated division . Parts are found in Zola's Downfall and The Soil , Scarron's ...
Stran 10
... narrative ; Adam Bede , 6 to 8 , 21 to 26 , 27 and 28 , episodes ; Tolstoi's Resurrection , II , 12 to 18 , reverting narrative reminiscence . 10. The Paragraph . -The paragraph in the novel is more flexible than in most forms of prose ...
... narrative ; Adam Bede , 6 to 8 , 21 to 26 , 27 and 28 , episodes ; Tolstoi's Resurrection , II , 12 to 18 , reverting narrative reminiscence . 10. The Paragraph . -The paragraph in the novel is more flexible than in most forms of prose ...
Stran 11
... narrative episode of five hundred words in Chapter IV . As in real life , careful attention to paragraph structure is not characteristic of conversation , but of artificial written speech , the realistic novel is not inclined to ...
... narrative episode of five hundred words in Chapter IV . As in real life , careful attention to paragraph structure is not characteristic of conversation , but of artificial written speech , the realistic novel is not inclined to ...
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Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
Adam Bede æsthetic analysis artistic Balzac Bennet catastrophe Chapter character characteristic characterization climactic climax complex composition conception conscious considered contrast criticism definite Defoe dialogue distinct Don Quixote dramatic dramatis personæ effect elements Elizabeth Bennet emotional emphasized epic episodic Eppie ethical example experience external frequently George Eliot give given Godfrey Godfrey Cass Gothic hero historical fiction human ideal illusion imagination important incidents individual novel influence interest interpretation Ivanhoe Jane Austen literary literature lyric mainly masses ment mental method modern moral movement narration narrative nature non-dramatic novel of manners novelist plot point of view Pride and Prejudice Promessi Sposi prose psychological reader realistic relations religious Robinson Crusoe scenes Scott sense sequence settings short story significant Silas Marner single actions social groups Spielhagen spirit structure subject-matter suggested supernatural technical theme theory tion tragic types typical unified unity Waverley Novels
Priljubljeni odlomki
Stran 261 - Art is a human activity, consisting in this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that other people are infected by these feelings, and also experience them.
Stran 229 - If we read of one man robbed, or murdered, or killed by accident, or one house burned, or one vessel wrecked, or one steamboat blown up, or one cow run over on the Western Railroad, or one mad dog killed, or one lot of grasshoppers in the winter, — we never need read of another. One is enough. If you are acquainted with the principle, what do you care for a myriad instances and applications...
Stran 143 - Just when I seemed about to learn! Where is the thread now? Off again! The old trick! Only I discern — Infinite passion and the pain Of finite hearts that yearn.
Stran 80 - The golden ripple on the wall came back again, and nothing else stirred in the room. The old, old fashion! The fashion that came in with our first garments, and will last unchanged until our race has run its course, and the wide firmament is rolled up like a scroll. The old, old fashion — Death!
Stran 293 - A novel is a large diffused picture, comprehending the characters of life, disposed in different groups, and exhibited in various attitudes, for the purposes of a uniform plan, and general occurrence, to which every individual figure is subservient. But this plan cannot be executed with propriety, probability, or success, without a principal personage to attract the attention, unite the incidents, unwind the clue of the labyrinth, and at last close...
Stran 302 - The only reason for the existence of a novel is that it does attempt to represent life.
Stran 73 - ... for want of a nail the shoe was lost; for want of a shoe the horse was lost; and for want of a horse the rider was lost...
Stran xii - To-day's brief passion limits their range; It seethes with the morrow for us and more. They are perfect — how else? they shall never change: We are faulty — why not ? we have time in store. The Artificer's hand is not arrested With us; we are rough-hewn, nowise polished: They stand for our copy, and, once invested With all they can teach, we shall see them abolished.
Stran 291 - THERE remains to be treated of, another species of composition in prose, which comprehends a very numerous, though, in general, a very insignificant class of writings, known by the name of Romances and Novels.
Stran 201 - Similarly, when I am reminded by any chance of what it was that the waves were always saying, I wander in my fancy for a whole winter night about the streets of Paris — as I really did, with a heavy heart, on the night when my little friend and I parted company for ever.