The Making of Literature: Some Principles of Criticism Examined in the Light of Ancient and Modern Theory

action admiration Æschylus æsthetic ancient Aristophanes Aristotle Arnold artist beauty become Ben Jonson Boileau century character classical Coleridge creative critic Croce Dante delight Demosthenes didactic divine doctrine drama Dryden E. M. Forster elements emotions Euripides example excellence experience expression fact faculty feeling genius gives Goethe Greek Hesiod Homer human ideal ideas images imagination imitation impressions inspired intellectual intuition Jonson judge judgment kind knowledge language Laocoon less literary literature living Longinus Marius matter Matthew Arnold mean medium mind modern moral nature never novel novelist object painter painting passion Pater personality philosopher picture Plato play pleasure plot Plotinus poem poet poetic poetry present principles Quintilian reality reason romantic romanticism Ruskin Sainte-Beuve sense Shakespeare Sophocles soul speak spirit style sublime taste theme theory thing thought tragedy tragic true truth unity verse vision Walter Pater whole words Wordsworth writing