The Making of Literature: Some Principles of Criticism Examined in the Light of Ancient and Modern TheoryHolt, 1928 - 396 strani |
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Zadetki 1–3 od 35
Stran 90
... passion it calls forth , the transport or ecstasy to which it leads . " I would confidently lay it down that there is nothing so stirring as noble , inevitable passion , its rapture induced by a kind of madness or divine influence , and ...
... passion it calls forth , the transport or ecstasy to which it leads . " I would confidently lay it down that there is nothing so stirring as noble , inevitable passion , its rapture induced by a kind of madness or divine influence , and ...
Stran 91
... passion on passion's head , whereas the Odyssey betrays the old age of Homer by its decline of passion - the poet falls back upon realistic portraiture of life and manners .. And he contrasts the style of Cicero with that of Demosthenes ...
... passion on passion's head , whereas the Odyssey betrays the old age of Homer by its decline of passion - the poet falls back upon realistic portraiture of life and manners .. And he contrasts the style of Cicero with that of Demosthenes ...
Stran 121
... passion , and contempt for bourgeois restraints . Genius was a justification for every fault .. Passion was the motive force that urged the wings of fancy . Nature was exalted to the point where it could dispense with art . The ...
... passion , and contempt for bourgeois restraints . Genius was a justification for every fault .. Passion was the motive force that urged the wings of fancy . Nature was exalted to the point where it could dispense with art . The ...
Vsebina
Contents CHAPTER PAGE I THE LIGHT FROM HEAVEN II | 11 |
THE FIRST CRITIC | 16 |
THE LITERATURE OF POWER | 22 |
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The Making of Literature: Some Principles of Criticism Examined in the Light ... Rolfe Arnold Scott-James Prikaz kratkega opisa - 1963 |
Pogosti izrazi in povedi
action admiration Æschylus æsthetic ancient Aristophanes Aristotle Arnold artist beauty become Ben Jonson Boileau century character classical Coleridge creative critic Croce Dante delight Demosthenes didactic divine doctrine drama Dryden E. M. Forster elements emotions Euripides example excellence experience expression fact faculty feeling genius gives Goethe Greek Hesiod Homer human ideal ideas images imagination imitation impressions inspired intellectual intuition Jonson judge judgment kind knowledge language Laocoon less literary literature living Longinus Marius matter Matthew Arnold mean medium mind modern moral nature never novel novelist object painter painting passion Pater personality philosopher picture Plato play pleasure plot Plotinus poem poet poetic poetry present principles Quintilian reality reason romantic romanticism Ruskin Sainte-Beuve sense Shakespeare Sophocles soul speak spirit style sublime taste theme theory thing thought tragedy tragic true truth unity verse vision Walter Pater whole words Wordsworth writing