The Making of Literature: Some Principles of Criticism Examined in the Light of Ancient and Modern TheoryHolt, 1928 - 396 strani |
Iz vsebine knjige
Zadetki 1–3 od 66
Stran 197
... Reason which they exalted was not the Reason of Kant . Blake was frankly aware of the divorce between his mysticism and the methods of pure Reason . All the intellectual gymnastic of Coleridge failed to effect a satisfactory union of that ...
... Reason which they exalted was not the Reason of Kant . Blake was frankly aware of the divorce between his mysticism and the methods of pure Reason . All the intellectual gymnastic of Coleridge failed to effect a satisfactory union of that ...
Stran 224
... Reason of man with the Reason of God that man's Imagination is able to discern the ex- ternalized thought of God in the forms of Nature . Thus Nature in a certain sense seems to be imposed on him ; but , in proportion as his Imagination ...
... Reason of man with the Reason of God that man's Imagination is able to discern the ex- ternalized thought of God in the forms of Nature . Thus Nature in a certain sense seems to be imposed on him ; but , in proportion as his Imagination ...
Stran 271
... reason , values reason , the idea , in and for themselves ; he values them , irrespectively of the practical conveniences which their triumph may obtain for him ; and the man who regards the possession of these practical conveniences as ...
... reason , values reason , the idea , in and for themselves ; he values them , irrespectively of the practical conveniences which their triumph may obtain for him ; and the man who regards the possession of these practical conveniences as ...
Vsebina
Contents CHAPTER PAGE I THE LIGHT FROM HEAVEN II | 11 |
THE FIRST CRITIC | 16 |
THE LITERATURE OF POWER | 22 |
25 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
The Making of Literature: Some Principles of Criticism Examined in the Light ... Rolfe Arnold Scott-James Prikaz kratkega opisa - 1963 |
Pogosti izrazi in povedi
action admiration Æschylus æsthetic ancient Aristophanes Aristotle Arnold artist beauty become Ben Jonson Boileau century character classical Coleridge creative critic Croce Dante delight Demosthenes didactic divine doctrine drama Dryden E. M. Forster elements emotions Euripides example excellence experience expression fact faculty feeling genius gives Goethe Greek Hesiod Homer human ideal ideas images imagination imitation impressions inspired intellectual intuition Jonson judge judgment kind knowledge language Laocoon less literary literature living Longinus Marius matter Matthew Arnold mean medium mind modern moral nature never novel novelist object painter painting passion Pater personality philosopher picture Plato play pleasure plot Plotinus poem poet poetic poetry present principles Quintilian reality reason romantic romanticism Ruskin Sainte-Beuve sense Shakespeare Sophocles soul speak spirit style sublime taste theme theory thing thought tragedy tragic true truth unity verse vision Walter Pater whole words Wordsworth writing