Tolstoy on Art and Its CriticsH. Milford, Oxford University Press, 1925 - 30 strani |
Iz vsebine knjige
Zadetki 1–5 od 7
Stran 8
... theory , and never quits them till he has left them for dead . There is always something specially exhilarating in the spectacle of a Quaker fighting ; and Tolstoy's performance in this kind will not be soon forgotten . Our generation ...
... theory , and never quits them till he has left them for dead . There is always something specially exhilarating in the spectacle of a Quaker fighting ; and Tolstoy's performance in this kind will not be soon forgotten . Our generation ...
Stran 15
... to the theory of art , but the routine critics he refers to have continued to run headlong into the booby - trap ' he warned them against . Before dealing with the criticisms of some of these writers AND ITS CRITICS 15.
... to the theory of art , but the routine critics he refers to have continued to run headlong into the booby - trap ' he warned them against . Before dealing with the criticisms of some of these writers AND ITS CRITICS 15.
Stran 16
... theories which obscure the matter . ? First , there is the definition of Art already quoted , which declares it to be an activity by means of which people are infected by feelings the artist has experienced and intentionally transmitted ...
... theories which obscure the matter . ? First , there is the definition of Art already quoted , which declares it to be an activity by means of which people are infected by feelings the artist has experienced and intentionally transmitted ...
Stran 17
... theory of art a statement of his outlook on life . Before quoting it , I must point out that whether we accept , or reject , or modify that view - of - life , his theory of art remains equally true , and can fit any other view - of ...
... theory of art a statement of his outlook on life . Before quoting it , I must point out that whether we accept , or reject , or modify that view - of - life , his theory of art remains equally true , and can fit any other view - of ...
Stran 20
... theory shows that he did not understand art - which is as though a boy who only knew that it is noon when the two hands of the clock stand in line and point to twelve were to assume that anyone paying attention to the clock at times ...
... theory shows that he did not understand art - which is as though a boy who only knew that it is noon when the two hands of the clock stand in line and point to twelve were to assume that anyone paying attention to the clock at times ...
Pogosti izrazi in povedi
activity admirably appeared approve argument artist AYLMER MAUDE beauty believe clear clearly common considered continued critics definition discussion doubt emotions English equally error essays examples excellence experienced explanation expression fact fail feeling feeling conveyed finds follow French give Gospel human ignorance illustrations importance indicates infection influence instance interesting issue letter lives mankind matter Maude means mention merely MICHIGAN nature needed never opinion passages peasant perception perfection play pleasure possible produced qualities question quoted reached reader reason received recognize referred regard remark reply review of Tolstoy Russian says Shaw side simple songs sound speaks spelling stories subject-matter suggest Symphony taken taste theory thing thought tion Tolstoy on Art Tolstoy's touched translation transmits true truth understand unite UNIVERSITY wee bit whole write written wrote
Priljubljeni odlomki
Stran 15 - Art is a human activity, consisting in this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that other people are infected by these feelings, and also experience them.
Stran 18 - The religious perception of our time, in its widest and most practical application, is the consciousness that our well-being, both material and spiritual, individual and collective, temporal and eternal, lies in the growth of brotherhood among all men— in their loving harmony with one another.
Stran 20 - Each is glad that another feels what he feels; glad of the communion established, not only between him and all present, but also with all now living who will yet share the same impression ; and more than that, he feels the mysterious gladness of a communion which, reaching beyond the grave, unites us with all men of the past who have been moved by the same feelings, and with all men of the future who will yet be touched by them.
Stran 13 - And he will know indubitably whether a work presented to him docs, or docs not, unite him in feeling with the author. But very many people " of our circle " (upper- and middle-class society) live such unnatural lives, in such conventional relations to the people around them, and in such artificial surroundings, that they have lost " that simple feeling . . . that sense of infection with another's feeling — compelling us to joy in another's gladness, to sorrow in another's grief, and to mingle souls...
Stran 19 - The business of art lies just in this — to make that understood and felt which, in the form of an argument, might be incomprehensible and inaccessible. Usually it seems to the recipient of a truly artistic impression that he knew the thing before but had been unable to express it.
Stran 7 - an activity by means of which one man, having experienced a feeling, intentionally transmits it to others." This is the simple truth: the moment it is uttered, whoever is really conversant with art recognizes in it the voice of the master.
Stran 10 - Look carefully [he says] into the causes of the ignorance of the masses, and you may see that the chief cause does not at all lie in the lack of schools and libraries, as we are accustomed to suppose, but in those superstitions, both ecclesiastical and patriotic, with which the people are saturated, and which are unceasingly generated by all the methods of art.
Stran 25 - ... as soon as the spectator, reader, or hearer, feels that the author is not writing, singing, or playing, for his own satisfaction — does not himself feel what he wishes to express, but is doing it for him, the recipient — resistance immediately springs up, and the most individual and the newest feelings and the cleverest technique not only fail to produce any infection but actually repel.
Stran 22 - ... or to draw a sketch which will delight dozens of generations or millions of children and adults, is incomparably more important and more fruitful than to compose a novel or a symphony, or paint a picture which will divert some members of the wealthy classes for a short time, and then be for ever forgotten.
Stran 19 - True science investigates and brings to human perception such truths and such knowledge as the people of a given time and society consider most important. Art transmits these truths from the region of perception to the region of emotion.