Masquerade and Civilization: The Carnivalesque in Eighteenth-century English Culture and Fiction

allegorical ambiguous Amelia anti-masquerade appear Atkinson Bakhtin becomes Bennet's Booth Burney Burney's carnival carnivalesque Cecilia century character comic contemporary conventional Countess cultural Darnford Delvile didactic disguise domino Dorriforth dress dystopia eighteenth eighteenth-century masquerade Elmwood emblem English erotic fantasy female festive fictional world Fielding Fielding's figure Gentleman's Magazine Harrels Haymarket Heidegger heroine heroine's human ideological imagery imaginative Inchbald kind Lady's Magazine likewise literary London marriage masked assembly Masque masquer masquerade crowd masquerade episode masquerade scene masquerade topos masquerade's ment metamorphosis Miss Milner modern moral narcissism narrative narrator nature novel novelist occasion Pamela paradoxical pleasure plot popular psychological public masquerade querade Rabelais Ranelagh reader realm representation represented Richardson rituals role sartorial satiric saturnalia seems sense sequel set piece sexual Simple Story social suggests symbolic textual theme tion Tom Jones topos traditional transformation transgressive transvestism travesties turn utopian Walpole Weekly Journal woman women writing