Backgrounds of Book ReviewingHerbert Samuel Mallory G. Wahr, 1931 - 533 strani |
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Zadetki 1–3 od 85
Stran 238
... things that seem the most real . Things pleasing and comfortable do not strike us with the same emo- tions of fear and pity as do things terrible and tragic . More- over , as Taine says , we must deal with tragic incidents to produce ...
... things that seem the most real . Things pleasing and comfortable do not strike us with the same emo- tions of fear and pity as do things terrible and tragic . More- over , as Taine says , we must deal with tragic incidents to produce ...
Stran 402
... things are touched with emotion . Every descriptive name conveys to him his emotional reaction to the object ; disinterested knowledge does not exist for him ; every tool , a knife , or a fork , means to him not only something to be ...
... things are touched with emotion . Every descriptive name conveys to him his emotional reaction to the object ; disinterested knowledge does not exist for him ; every tool , a knife , or a fork , means to him not only something to be ...
Stran 428
... things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on and say that you have them complete , and have all you want ...
... things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on and say that you have them complete , and have all you want ...
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THE BOOKS THAT I READ | 1 |
THE CONTEMPORARY CRITIC | 7 |
Robert Morss Lovett | 31 |
31 preostalih delov ni prikazanih
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academic critic action æsthetic American Amy Lowell appear Aristotle Arnold Schoenberg artist attitude audience beauty Beethoven Brahms Byzantine art called century character classics color contemporary Cubists culture drama dramatist dream elements emotion experience expression eyes fact feeling Ferdinand Brunetière fiction genius genres give Goethe harmony human Ibsen ideal ideas illusion images imagination imitation impressionism impressionist interest JAMES GIBBONS HUNEKER jazz King Lear less lines literary literature living matter Matthew Arnold means melody ment merely mind Miro modern Molière moral movement naturalistic nature never novel object painter painting passion persons photoplay physical picture play plot poem poet poetic poetry polyphonic present prose reader realistic reality rhythm scene sense Shakespeare soul sound speak spirit story style symphony taste theme theory things thought tion tragedy true truth verse whole words Wordsworth write