Artists and ThinkersLongmans, Green, and Company, 1916 - 200 strani |
Iz vsebine knjige
Zadetki 1–5 od 16
Stran 64
... opera , on composing , on the artist and the public , others long and constructive , like The Work of Art of the Future , Opera and Drama , Art and Religion and Art and Revolution . None of them is easy or attractive reading ; they are ...
... opera , on composing , on the artist and the public , others long and constructive , like The Work of Art of the Future , Opera and Drama , Art and Religion and Art and Revolution . None of them is easy or attractive reading ; they are ...
Stran 65
... Opera and Drama he deplores the artistic conditions he sees everywhere ; and in the preface to the second edition , written in 1868 , he protests in a mood of discouragement against the stubborn and senseless way in which the public ...
... Opera and Drama he deplores the artistic conditions he sees everywhere ; and in the preface to the second edition , written in 1868 , he protests in a mood of discouragement against the stubborn and senseless way in which the public ...
Stran 66
... opera has blared and blasted and blown its way across the orchestra to the balcony and the boxes , which are strewn with forms prostrate or bent this way and that - like corn - stalks after a hurricane . To the other group belongs an ...
... opera has blared and blasted and blown its way across the orchestra to the balcony and the boxes , which are strewn with forms prostrate or bent this way and that - like corn - stalks after a hurricane . To the other group belongs an ...
Stran 70
... the life of the people . Whenever one class arrogates to itself the right to art , it gives an artificial and man- nered art . Wagner has in mind the troubadour poetry of France , and Italian opera of courtly origin 70 ARTISTS AND THINKERS.
... the life of the people . Whenever one class arrogates to itself the right to art , it gives an artificial and man- nered art . Wagner has in mind the troubadour poetry of France , and Italian opera of courtly origin 70 ARTISTS AND THINKERS.
Stran 71
Louis William Flaccus. poetry of France , and Italian opera of courtly origin and courtlier caprice . The one loses ... opera the genuine folk - song || and its rhythmic animation . But this ideal of his was a gradual growth , for the ...
Louis William Flaccus. poetry of France , and Italian opera of courtly origin and courtlier caprice . The one loses ... opera the genuine folk - song || and its rhythmic animation . But this ideal of his was a gradual growth , for the ...
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Pogosti izrazi in povedi
æsthetic Apollonian Apollonian and Dionysian beauty become Birth of Tragedy Burghers of Calais character color complete concrete consciousness contrast cosmic criticism culture dance demand Dionysian divine dramatic quality emotional essays expression eyes feeling force formless fragmentary genius gives Greek Hegel human idea ideal imagination imitation individual inner intellectual intense interest interpretation King Lear lacks Leitmotif light Lohengrin Maeter Maeterlinck marks material meaning modern mood moral Mors Syphilitica movement music drama nature ness Nietzsche Nietzsche's opera organic unity painting Parsifal passages passion peasant pessimism philosophy picture play poet poetry principle problem reflects rhythm rich Rodin Rodin's art Rops's Schopenhauer sculpture seems self-expression sense sensuous Shakespeare sharply shows significance simple social soul Spake Zarathustra spirit strength strong struggle subtle suggests surface symbolism Tannhäuser technique theory of art things thought tion Tolstoy Tolstoy's tragedy tragic Tristan und Isolde true art truth turn ugly universe Wagner
Priljubljeni odlomki
Stran 154 - Art is a human activity consisting in this, that one man consciously by means of certain external signs, hands on to others feelings he has lived through, and that others are infected by these feelings and also experience them.
Stran 49 - When I go to a theatre, I feel as though I were spending a few hours with my ancestors, who conceived life as something that was primitive, arid and brutal; but this conception of theirs scarcely even lingers in my memory, and surely it is not one that I can share. I am shown a deceived husband killing his wife, a woman poisoning her lover, a son avenging his father, a father slaughtering his children, children putting their father to death, murdered kings, ravished virgins, imprisoned citizens —...
Stran 154 - To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then, by means of movements, lines, colours, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling— this is the activity of art.
Stran 196 - Herz! Oh zerbrich, zerbrich, Herz, nach solchem Glücke, nach solchem Stiche! — Wie? Ward die Welt nicht eben vollkommen? Rund und reif? Oh des goldenen runden Reifs — wohin fliegt er wohl?
Stran 52 - Hilda and Solness are, I believe, the first characters in drama who feel, for an instant, that they are living in the atmosphere of the soul; and the discovery of this essential life that exists in them, beyond the life of every day, comes fraught with terror.
Stran 149 - I was not mad or in an unhealthy mental state ; on the contrary, I enjoyed a mental and physical strength which I have seldom found in men of my class and pursuits ; I could keep up with a peasant in mowing, and could continue mental labor for eight or ten hours at a stretch, without any evil consequences.
Stran 93 - Lust-Entzücken! Himmel-höchstes Welt-Entrücken! Mein Tristan! Mein Isolde! Tristan! Isolde! Mein und dein! Immer ein! Ewig, ewig ein! The second is from the same act: Nun banne das Verlangen, holder Tod, sehnend verlangter Liebes-Tod! In deinen Armen, dir geweiht, ur-heilig Erwärmen, von Erwachens Not befreit.
Stran 148 - My life had come to a sudden stop. I was able to breathe, to eat, to drink, to sleep. I could not, indeed, help doing so; but there was no real life in me.
Stran 149 - I had to come to, at a time when all the circumstances of my life were preeminently happy ones, and when I had not reached my fiftieth year. I had a good...
Stran 93 - Wie es fassen? Wie sie lassen. Diese Wonne fern der Sonne Fern der Tage Trennungsklage? Ohne Wähnen sanftes Sehnen, Ohne Bangen süß Verlangen; Ohne Wehen hehr Vergehen, Ohne Schmachten hold Umnachten; Ohne Scheiden ohne Meiden, Traut allein ewig heim.