AestheticsM.E. Sharpe, 1998 - 190 strani James Manns presents a readable and entertaining examination of the most serious questions posed by the arts and our relation to them. In a clear and engaging fashion, he explores the central issues in aesthetics: aesthetic judgment, the nature and role of criticism, the elusiveness of the concept of art, and communication through art, and he critically (but sympathetically) considers that principal theories of art that focus on expression, form, and representation. Through the use of extensive, entertaining, and current examples (including film), Manns conveys the solid basics relating to the history and development of aesthetic theories, tries out these various theories against the art of the last half century, then outlines his own view revolving around the artist's intention and the act of communication. |
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Zadetki 1–3 od 6
Stran 109
... intentional hypothesis , it was in 1946 that this hypothesis was proclaimed to be falla- cious , in a celebrated article by William Wimsatt and Monroe Beardsley entitled " The Intentional Fallacy . " This one article touched off a ...
... intentional hypothesis , it was in 1946 that this hypothesis was proclaimed to be falla- cious , in a celebrated article by William Wimsatt and Monroe Beardsley entitled " The Intentional Fallacy . " This one article touched off a ...
Stran 110
... Intentional Fallacy The very title of Wimsatt and Beardsley's article imparted to their denial of the intentional thesis a certain air of importance . It is one thing to be wrong on an issue — everybody is wrong some of the time , and ...
... Intentional Fallacy The very title of Wimsatt and Beardsley's article imparted to their denial of the intentional thesis a certain air of importance . It is one thing to be wrong on an issue — everybody is wrong some of the time , and ...
Stran 187
... Intentional fallacy , 109-13 Intentions of an artist , 57 , 91 , 110-13 , 115-16 , 127-29 and artist - audience communication , 127-29 and the internal - external distinction , 113-18 and the linguistic - cultural context , 115-16 , 123 ...
... Intentional fallacy , 109-13 Intentions of an artist , 57 , 91 , 110-13 , 115-16 , 127-29 and artist - audience communication , 127-29 and the internal - external distinction , 113-18 and the linguistic - cultural context , 115-16 , 123 ...
Vsebina
Questions of Definition and Delimitation | 3 |
Representation | 26 |
Form | 52 |
Avtorske pravice | |
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actually aesthetic experience aesthetic judgments appears appreciation approach Aristotle artist artworks artworld audience beauty Brillo Box captured centuries Chapter character claim cognitive Collingwood color concept consideration constitute critical Critique of Judgment Cubist culture Danto David Hume domain Easter Island elements emotional example expression expressionism fact factors feel Forrest Gump framework human Hume Hume's Ibid Immanuel Kant important individual Intentional Fallacy intentions involved judge Kant Kant's language look matter means mind moral nature notion object offers ourselves painting particular perceived perception perhaps person philosophical Plato pleasure poem poet poetry position possess principles purpose question realm reason reflective Reid Reid's representation response Roger Fry Rudolf Arnheim secondary qualities seems sense significant sort speak standard of taste subjective suggests Suzanne Langer theory of art things Thomas Reid tion Tolstoy Tovey truth universality ut pictura poesis visual Visual Perception Wimsatt and Beardsley