The Genesis of Modern Chinese Literary Criticism (1917-1930)

According activity aesthetic analysed appeared artistic beauty become beginning called Ch'eng Fang-wu Ch'ien Ch'ü Ch'iu-pai chapter character Chiang Chiang Kuang-tz'u China Chinese literary criticism Chinese literature Chou concept concerned considered contemporary create Creation creative cultural élan vital entitled essay evidently expression fact feelings Feng genius human Ibid idea ideal important interest Kuo Mo-jo later least Liang Shih-ch'iu literary criticism Lu Hsün Mao Tun means mentioned method mind Mo-jo modern Chinese movement nature novel objective original period personality philosophy poems poet poetry political probably proletarian published question quoted realism reality reason reflection relation representative revolution revolutionary literature Russian Shanghai Shih so-called social society spirit struggle term theory thought translation true truth twenties University views wen-hsüeh writers written wrote young Yü Ta-fu