The Genesis of Modern Chinese Literary Criticism (1917-1930)Curzon Press, 1980 - 349 strani |
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Zadetki 1–3 od 36
Stran 33
... beauty . Kuo Mo - jo could do nothing but agree with this . For even though he might perhaps have been more closely acquainted with the views of Kant , yet he never manifested any interest in complicated considerations and intricate ...
... beauty . Kuo Mo - jo could do nothing but agree with this . For even though he might perhaps have been more closely acquainted with the views of Kant , yet he never manifested any interest in complicated considerations and intricate ...
Stran 84
... beauty and ugliness , of truth and falsehood . " Another point of interest is that both Kuo Mo - jo's and Ch'eng Fang - wu's criticism of the first half of the twenties ended precisely with W. Pater . The former found in him his ideal ...
... beauty and ugliness , of truth and falsehood . " Another point of interest is that both Kuo Mo - jo's and Ch'eng Fang - wu's criticism of the first half of the twenties ended precisely with W. Pater . The former found in him his ideal ...
Stran 117
... beauty , an immense sympathy and love . " 2 Art also now possesses certain atributes that will be valid even when its utopian ideal will have been realized : " Art strives after beauty of form and spirit " , Yü Ta - fu wrote in that ...
... beauty , an immense sympathy and love . " 2 Art also now possesses certain atributes that will be valid even when its utopian ideal will have been realized : " Art strives after beauty of form and spirit " , Yü Ta - fu wrote in that ...
Vsebina
Kuo Mojo and his Development from Aestheticoimpressionist to Proletarian | 28 |
Cheng Fangwu and his Development from Socioaesthetic to Total Criti | 63 |
Yü Tafu and his Panaesthetic Criticism | 104 |
Avtorske pravice | |
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Druge izdaje - Prikaži vse
The Genesis of Modern Chinese Literary Criticism (1917-1930) Marián Gálik Prikaz kratkega opisa - 1980 |
Pogosti izrazi in povedi
According aesthetic art and literature artistic Babbitt beauty CCPWC Ch'en Tu-hsiu Ch'eng Fang-wu Ch'ien Hsing-ts'un Ch'ü Ch'iu-pai Ch'u-li chapter characterized Chiang Kuang-tz'u China Chinese literary criticism Chou Tso-jen Chuang-tzu Chung-kuo Communist concept create Creation Society creative CTCP élan vital emotional entitled essay expression expressionist feelings Feng Nai-ch'ao GÁLIK genius Hsün's Hu Shih human nature Ibid idea ideal Kant ko-ming Kuo Mo-jo Kurahara later Left League LHCC Liang Shih-ch'iu literary and critical literary theory literature and art Lu Hsün Mao Tun Marxist Mencius Mo-jo modern Chinese literary modern Chinese literature neo-romanticism novel October Revolution Peking period philosophy poems poet poetic poetry political proletarian literature proletarian realism reality reflection revolutionary literature romantic Russian literature self-expression Shanghai short story so-called social Soviet spirit struggle sympathy systemo-structural entity Teng Chung-hsia Tolstoy translation truth Tun's views wen-hsüeh wen-i WHTH words written wrote young Yü Ta-fu