The Genesis of Modern Chinese Literary Criticism (1917-1930)Curzon Press, 1980 - 349 strani |
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Zadetki 1–3 od 88
Stran 38
... concept , as has just been remarked . The concept of Kuo Mo - jo is similar , only it has shifted towards the creative subject . While in the Taoist concept the reflection per se is already creative , the concept of Kuo Mo - jo requires ...
... concept , as has just been remarked . The concept of Kuo Mo - jo is similar , only it has shifted towards the creative subject . While in the Taoist concept the reflection per se is already creative , the concept of Kuo Mo - jo requires ...
Stran 136
... concept , however , failed to assert itself against the common and generally prevailing Confucian concept which in the above sentence explained the word chih , i.e. heart's wishes , not emotionally , but rationally as an expression of ...
... concept , however , failed to assert itself against the common and generally prevailing Confucian concept which in the above sentence explained the word chih , i.e. heart's wishes , not emotionally , but rationally as an expression of ...
Stran 293
... concept of object of artistic imitation more precise only after having written that article . This is supported also by the fact that he devotes most space to the concept of “ human nature " in his article Literary Laws , published in a ...
... concept of object of artistic imitation more precise only after having written that article . This is supported also by the fact that he devotes most space to the concept of “ human nature " in his article Literary Laws , published in a ...
Vsebina
Kuo Mojo and his Development from Aestheticoimpressionist to Proletarian | 28 |
Cheng Fangwu and his Development from Socioaesthetic to Total Criti | 63 |
Yü Tafu and his Panaesthetic Criticism | 104 |
Avtorske pravice | |
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The Genesis of Modern Chinese Literary Criticism (1917-1930) Marián Gálik Prikaz kratkega opisa - 1980 |
Pogosti izrazi in povedi
According aesthetic art and literature artistic Babbitt beauty CCPWC Ch'en Tu-hsiu Ch'eng Fang-wu Ch'ien Hsing-ts'un Ch'ü Ch'iu-pai Ch'u-li chapter characterized Chiang Kuang-tz'u China Chinese literary criticism Chou Tso-jen Chuang-tzu Chung-kuo Communist concept create Creation Society creative CTCP élan vital emotional entitled essay expression expressionist feelings Feng Nai-ch'ao GÁLIK genius Hsün's Hu Shih human nature Ibid idea ideal Kant ko-ming Kuo Mo-jo Kurahara later Left League LHCC Liang Shih-ch'iu literary and critical literary theory literature and art Lu Hsün Mao Tun Marxist Mencius Mo-jo modern Chinese literary modern Chinese literature neo-romanticism novel October Revolution Peking period philosophy poems poet poetic poetry political proletarian literature proletarian realism reality reflection revolutionary literature romantic Russian literature self-expression Shanghai short story so-called social Soviet spirit struggle sympathy systemo-structural entity Teng Chung-hsia Tolstoy translation truth Tun's views wen-hsüeh wen-i WHTH words written wrote young Yü Ta-fu