The Genesis of Modern Chinese Literary Criticism (1917-1930)Curzon Press, 1980 - 349 strani |
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Zadetki 1–3 od 46
Stran 34
... genius than in China . However , two months before Kuo put this statement on paper , Lu Hsün had allegedly declared ... genius in two places and Kuo Mo - jo took careful note of the one and the other . Croce asserts that the difference ...
... genius than in China . However , two months before Kuo put this statement on paper , Lu Hsün had allegedly declared ... genius in two places and Kuo Mo - jo took careful note of the one and the other . Croce asserts that the difference ...
Stran 240
... genius is to " release " something or to " get rid " of something , hence , he underlines the creative , socially and not merely formally ( as Kant ) creative essence of genius . When casting a keen glance at the history of his country ...
... genius is to " release " something or to " get rid " of something , hence , he underlines the creative , socially and not merely formally ( as Kant ) creative essence of genius . When casting a keen glance at the history of his country ...
Stran 253
... Genius ) . It is possible that one of the stimuli for writing this lecture was Kuo Mo - jo's article Genius and Education . There is no essential difference between the two articles except that Lu Hsün , far more than Kuo Mo - jo ...
... Genius ) . It is possible that one of the stimuli for writing this lecture was Kuo Mo - jo's article Genius and Education . There is no essential difference between the two articles except that Lu Hsün , far more than Kuo Mo - jo ...
Vsebina
Kuo Mojo and his Development from Aestheticoimpressionist to Proletarian | 28 |
Cheng Fangwu and his Development from Socioaesthetic to Total Criti | 63 |
Yü Tafu and his Panaesthetic Criticism | 104 |
Avtorske pravice | |
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The Genesis of Modern Chinese Literary Criticism (1917-1930) Marián Gálik Prikaz kratkega opisa - 1980 |
Pogosti izrazi in povedi
According aesthetic art and literature artistic Babbitt beauty CCPWC Ch'en Tu-hsiu Ch'eng Fang-wu Ch'ien Hsing-ts'un Ch'ü Ch'iu-pai Ch'u-li chapter characterized Chiang Kuang-tz'u China Chinese literary criticism Chou Tso-jen Chuang-tzu Chung-kuo Communist concept create Creation Society creative CTCP élan vital emotional entitled essay expression expressionist feelings Feng Nai-ch'ao GÁLIK genius Hsün's Hu Shih human nature Ibid idea ideal Kant ko-ming Kuo Mo-jo Kurahara later Left League LHCC Liang Shih-ch'iu literary and critical literary theory literature and art Lu Hsün Mao Tun Marxist Mencius Mo-jo modern Chinese literary modern Chinese literature neo-romanticism novel October Revolution Peking period philosophy poems poet poetic poetry political proletarian literature proletarian realism reality reflection revolutionary literature romantic Russian literature self-expression Shanghai short story so-called social Soviet spirit struggle sympathy systemo-structural entity Teng Chung-hsia Tolstoy translation truth Tun's views wen-hsüeh wen-i WHTH words written wrote young Yü Ta-fu