The Genesis of Modern Chinese Literary Criticism (1917-1930)Curzon Press, 1980 - 349 strani |
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Zadetki 1–3 od 35
Stran 56
... objective attitude of an individual , not specifically oriented towards objective reality . Kuo Mo - jo asks of his " little " geniuses to do only what a gramophone does : faithfully to reproduce the sounds and voices which reach them ...
... objective attitude of an individual , not specifically oriented towards objective reality . Kuo Mo - jo asks of his " little " geniuses to do only what a gramophone does : faithfully to reproduce the sounds and voices which reach them ...
Stran 89
... objective " cannot be considered as being independent of the " subjective " and that according to Kant , the " objective " is a " transcendental unity " 120 118 119 In virtue of these last two statements , Ch'eng Fang - wu , without ...
... objective " cannot be considered as being independent of the " subjective " and that according to Kant , the " objective " is a " transcendental unity " 120 118 119 In virtue of these last two statements , Ch'eng Fang - wu , without ...
Stran 93
... objective is nothing else but allgemeingültig . ,, 36 From this and from what has been referred to above , Ch'eng infers that the subjective is in fact the superindividual and the objective is the universally valid . And thus it is ...
... objective is nothing else but allgemeingültig . ,, 36 From this and from what has been referred to above , Ch'eng infers that the subjective is in fact the superindividual and the objective is the universally valid . And thus it is ...
Vsebina
Kuo Mojo and his Development from Aestheticoimpressionist to Proletarian | 28 |
Cheng Fangwu and his Development from Socioaesthetic to Total Criti | 63 |
Yü Tafu and his Panaesthetic Criticism | 104 |
Avtorske pravice | |
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The Genesis of Modern Chinese Literary Criticism (1917-1930) Marián Gálik Prikaz kratkega opisa - 1980 |
Pogosti izrazi in povedi
According aesthetic art and literature artistic Babbitt beauty CCPWC Ch'en Tu-hsiu Ch'eng Fang-wu Ch'ien Hsing-ts'un Ch'ü Ch'iu-pai Ch'u-li chapter characterized Chiang Kuang-tz'u China Chinese literary criticism Chou Tso-jen Chuang-tzu Chung-kuo Communist concept create Creation Society creative CTCP élan vital emotional entitled essay expression expressionist feelings Feng Nai-ch'ao GÁLIK genius Hsün's Hu Shih human nature Ibid idea ideal Kant ko-ming Kuo Mo-jo Kurahara later Left League LHCC Liang Shih-ch'iu literary and critical literary theory literature and art Lu Hsün Mao Tun Marxist Mencius Mo-jo modern Chinese literary modern Chinese literature neo-romanticism novel October Revolution Peking period philosophy poems poet poetic poetry political proletarian literature proletarian realism reality reflection revolutionary literature romantic Russian literature self-expression Shanghai short story so-called social Soviet spirit struggle sympathy systemo-structural entity Teng Chung-hsia Tolstoy translation truth Tun's views wen-hsüeh wen-i WHTH words written wrote young Yü Ta-fu