Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 38
Stran 152
... Anna Karenina thinks of Anna and Vronsky : Vronsky and Anna , according to Mikhailov's con- ception , were in all probability distinguished wealthy Russians , who like all these wealthy Russians com- prehended nothing of art but ...
... Anna Karenina thinks of Anna and Vronsky : Vronsky and Anna , according to Mikhailov's con- ception , were in all probability distinguished wealthy Russians , who like all these wealthy Russians com- prehended nothing of art but ...
Stran 156
... Anna wanted to go to the estate with him , when she suddenly felt that he must have been ashamed and that she was ashamed of the same thing , but what was she ashamed of ? ( Norton , Anna Karenina , p . 92 ) . - There is no sympathy on ...
... Anna wanted to go to the estate with him , when she suddenly felt that he must have been ashamed and that she was ashamed of the same thing , but what was she ashamed of ? ( Norton , Anna Karenina , p . 92 ) . - There is no sympathy on ...
Stran 159
... Anna , Tolstoy desists from the sort of condemnatory language he used to refer to the painter in The Resurrection and even makes it quite clear that Mikhailov is a true and talented artist . In doing ... Anna Karenina Theory and Practice 159.
... Anna , Tolstoy desists from the sort of condemnatory language he used to refer to the painter in The Resurrection and even makes it quite clear that Mikhailov is a true and talented artist . In doing ... Anna Karenina Theory and Practice 159.
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote