Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 31
Stran 33
... French educator held as late as 1901 where Tol- stoy is very emphatic about Rousseau's influence on him : People have been unjust to Rousseau , the greatness of his thought was not acknowledged , he was slan- dered in all sorts of ways ...
... French educator held as late as 1901 where Tol- stoy is very emphatic about Rousseau's influence on him : People have been unjust to Rousseau , the greatness of his thought was not acknowledged , he was slan- dered in all sorts of ways ...
Stran 161
... French poetry and on the music of Wagner . Tolstoy does not develop a systematic theoretical position against French modernism , but rather leafs through some poems , making incidental observations , the main thrust of which is that ...
... French poetry and on the music of Wagner . Tolstoy does not develop a systematic theoretical position against French modernism , but rather leafs through some poems , making incidental observations , the main thrust of which is that ...
Stran 237
... French Symbol- ists , he is playing into Tolstoy's hands . More importantly , however , his claim that Tolstoy ... French modernists , preferring instead ( like a number of others ) to accuse Tolstoy of ignorance . He also repeats the ...
... French Symbol- ists , he is playing into Tolstoy's hands . More importantly , however , his claim that Tolstoy ... French modernists , preferring instead ( like a number of others ) to accuse Tolstoy of ignorance . He also repeats the ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
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according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote