Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 30
Stran 109
... actually the very moment of crea- tion itself , thus the ultimate reality , because everything that comes after it is but a consequence of that moment . As Tolstoy well un- derstood and demonstrated in his works , such use of detail as ...
... actually the very moment of crea- tion itself , thus the ultimate reality , because everything that comes after it is but a consequence of that moment . As Tolstoy well un- derstood and demonstrated in his works , such use of detail as ...
Stran 166
... actually depicts is his way of feeling the existence of the world , thus really himself . Tolstoy was aware of this implication when he noted in his diary in 1851 that " In reading a work , especially fiction , the main interest lies in ...
... actually depicts is his way of feeling the existence of the world , thus really himself . Tolstoy was aware of this implication when he noted in his diary in 1851 that " In reading a work , especially fiction , the main interest lies in ...
Stran 200
... actually going against the demands of class art , since the art of the people , in the name of class struggle , would cer- tainly strive for conflict rather than unification . As for Tolstoy's at- tacks on the sophisticated art popular ...
... actually going against the demands of class art , since the art of the people , in the name of class struggle , would cer- tainly strive for conflict rather than unification . As for Tolstoy's at- tacks on the sophisticated art popular ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote