Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 76
Stran 99
... aesthetics as an exercise in relativity . For him it was a matter of moral and philosophical commitment that called for a single governing definition of art which would not only prescribe a judgment in aesthetics but also set a moral ...
... aesthetics as an exercise in relativity . For him it was a matter of moral and philosophical commitment that called for a single governing definition of art which would not only prescribe a judgment in aesthetics but also set a moral ...
Stran 103
... aesthetics and literary theory . Some of the earliest lu- cid statements on that issue have been made by the Prague circle theoreticians , particularly Jan Mukařovsky . To a certain extent , Mukařovsky's argument does appear to give ...
... aesthetics and literary theory . Some of the earliest lu- cid statements on that issue have been made by the Prague circle theoreticians , particularly Jan Mukařovsky . To a certain extent , Mukařovsky's argument does appear to give ...
Stran 180
... aesthetics and perhaps also beauty , were nothing else but just Tolstoy himself . - Tolstoy's proposition that art communicates and infects with feeling was understood too narrowly by many critics as pertaining to feeling in the special ...
... aesthetics and perhaps also beauty , were nothing else but just Tolstoy himself . - Tolstoy's proposition that art communicates and infects with feeling was understood too narrowly by many critics as pertaining to feeling in the special ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
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Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote