Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 84
Stran 83
... artist's attitude toward his work completely truly felt and therefore completely truth- ful ( " Ob iskusstve , " PSS , 30 , 214 ) . The requirement for significant content was later replaced by the notion of originality , meaning , of ...
... artist's attitude toward his work completely truly felt and therefore completely truth- ful ( " Ob iskusstve , " PSS , 30 , 214 ) . The requirement for significant content was later replaced by the notion of originality , meaning , of ...
Stran 85
... artist , that is , on the greater or lesser force with which the artist himself feels the emotion he transmits ( Maude , 228 ; PSS , 30 , 149 ) . The " inner striving of the soul " mentioned in the Amiel pref- ace might then be a ...
... artist , that is , on the greater or lesser force with which the artist himself feels the emotion he transmits ( Maude , 228 ; PSS , 30 , 149 ) . The " inner striving of the soul " mentioned in the Amiel pref- ace might then be a ...
Stran 219
... artist depends on his world - view to the extent that the latter possesses a specific aesthetic quality . It is another matter that , after the ideas of an artist have already been formed and embodied in artistic images , the artist may ...
... artist depends on his world - view to the extent that the latter possesses a specific aesthetic quality . It is another matter that , after the ideas of an artist have already been formed and embodied in artistic images , the artist may ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote