Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 78
Stran 130
... become an integral part of the entire structure of the essay can be seen right at the beginning . After preliminary remarks on the high price exacted by the activities of art in both material resources and stunted lives of performing ...
... become an integral part of the entire structure of the essay can be seen right at the beginning . After preliminary remarks on the high price exacted by the activities of art in both material resources and stunted lives of performing ...
Stran 165
... becomes a structural counterpart to the dis- tant figure of the father in another room ; both figures become in effect metaphorical representations of the emotional span be- tween intimacy and isolation . Secondly , mother's skill at ...
... becomes a structural counterpart to the dis- tant figure of the father in another room ; both figures become in effect metaphorical representations of the emotional span be- tween intimacy and isolation . Secondly , mother's skill at ...
Stran 251
... become " strange , " suddenly seen in a new light that changes the logic of all relationships . In Tolstoy , this is the crucial moment of new existential insight , when ordinary things lose their inert familiarity and become ...
... become " strange , " suddenly seen in a new light that changes the logic of all relationships . In Tolstoy , this is the crucial moment of new existential insight , when ordinary things lose their inert familiarity and become ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote