Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 62
Stran 81
... called “ art , " and the other - a “ uselessness ” in the sense that no material gain was sought by an artist , whose work , however , was therefore very useful in that it " tried to make people better , " as he put it in one of the ...
... called “ art , " and the other - a “ uselessness ” in the sense that no material gain was sought by an artist , whose work , however , was therefore very useful in that it " tried to make people better , " as he put it in one of the ...
Stran 84
... called : " On What Is Art and What It Is Not , and on When Is Art an Important Thing , and When It is an Empty Matter . " 14 There Tolstoy set himself , first of all , two tasks : a ) to distinguish genuine art from its counterfeits and ...
... called : " On What Is Art and What It Is Not , and on When Is Art an Important Thing , and When It is an Empty Matter . " 14 There Tolstoy set himself , first of all , two tasks : a ) to distinguish genuine art from its counterfeits and ...
Stran 86
... called the theory of realism ( ibid . , " Ob iskusstve , " PSS , 30 , 214 ) . Having described his three wrong theories , Tolstoy then de- veloped a link between them and what he called " counterfeit art " : The most important thing is ...
... called the theory of realism ( ibid . , " Ob iskusstve , " PSS , 30 , 214 ) . Having described his three wrong theories , Tolstoy then de- veloped a link between them and what he called " counterfeit art " : The most important thing is ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote