Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 44
Stran 144
... characters spout pompous or nonsensical verbiage often at the very times when anything human in us should become speechless with pity and fear . In Tolstoy's view , this de- prives the characters not only of all individuality , but also ...
... characters spout pompous or nonsensical verbiage often at the very times when anything human in us should become speechless with pity and fear . In Tolstoy's view , this de- prives the characters not only of all individuality , but also ...
Stran 246
... characters there do indeed come before us as vivid , communicable and com- municating images , as the stuff of life , essentially for the reason that they perceive their own thoughts as emotional experiences . Indeed , " perception ...
... characters there do indeed come before us as vivid , communicable and com- municating images , as the stuff of life , essentially for the reason that they perceive their own thoughts as emotional experiences . Indeed , " perception ...
Stran 301
... characters , how alien to them is the language which he forces them to speak , how lacking in individuality they may be , the movement of feeling itself : its growing intensity , its changes , the combination of many contradictory ...
... characters , how alien to them is the language which he forces them to speak , how lacking in individuality they may be , the movement of feeling itself : its growing intensity , its changes , the combination of many contradictory ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote