Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 42
Stran 17
... communication of emotion , of the " look in one's own eyes , " more than of the beauty of nature as such ( or , rather , that this beauty , transferred to the medium of art becomes that look in one's eyes ) , and the theme that the only ...
... communication of emotion , of the " look in one's own eyes , " more than of the beauty of nature as such ( or , rather , that this beauty , transferred to the medium of art becomes that look in one's eyes ) , and the theme that the only ...
Stran 18
... communication ; art is not something that is but something that happens between the art- ist and his audience.3 For this , it is necessary to achieve a blending of fact and feeling so that , somehow , fact would become feeling , or , as ...
... communication ; art is not something that is but something that happens between the art- ist and his audience.3 For this , it is necessary to achieve a blending of fact and feeling so that , somehow , fact would become feeling , or , as ...
Stran 246
... communicate feelings proceeding from religious perception . Such an analysis may seem dangerously near to tautology : Tol- stoy said art was the communication of feelings because he as- sumed that art is communication and that what it ...
... communicate feelings proceeding from religious perception . Such an analysis may seem dangerously near to tautology : Tol- stoy said art was the communication of feelings because he as- sumed that art is communication and that what it ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
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Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote