Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 34
Stran 95
... concept is now developed to the notion of " morality ” and replaces the " first criterion " and is then separated from the special vision , or gift : ... he [ Maupassant ] unfortunately lacked the chief of the three conditions , beside ...
... concept is now developed to the notion of " morality ” and replaces the " first criterion " and is then separated from the special vision , or gift : ... he [ Maupassant ] unfortunately lacked the chief of the three conditions , beside ...
Stran 101
... concept of beauty , and then look at those who rely on some other principle . Having noted that the definition of art can lose focus by becoming so broad as to include all sorts of human activities , Tolstoy first of all dismisses ...
... concept of beauty , and then look at those who rely on some other principle . Having noted that the definition of art can lose focus by becoming so broad as to include all sorts of human activities , Tolstoy first of all dismisses ...
Stran 185
... concept , referred to repeatedly by L.N. Tolstoy , of an incom- patibility of the one with the other ( ibid . , p . 22 ) . This confuses the issue : Tolstoy held the concept of " beauty " inapplicable toward the definition of art but ...
... concept , referred to repeatedly by L.N. Tolstoy , of an incom- patibility of the one with the other ( ibid . , p . 22 ) . This confuses the issue : Tolstoy held the concept of " beauty " inapplicable toward the definition of art but ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
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Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote