Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 33
Stran 170
... context . Pierre's dream is rather different in that the explained meaning of the watery globe is but a part of the dream itself , and the very word " understand " is a composite of two voices other than Pierre's : one is a memory in ...
... context . Pierre's dream is rather different in that the explained meaning of the watery globe is but a part of the dream itself , and the very word " understand " is a composite of two voices other than Pierre's : one is a memory in ...
Stran 257
... context . " By " context " we would mean the complexity of life to itself , so thoroughly attested to in Tolstoy's works , which by its very organic nature permits no imposition of a pre - conceived explanatory scheme , be it rational ...
... context . " By " context " we would mean the complexity of life to itself , so thoroughly attested to in Tolstoy's works , which by its very organic nature permits no imposition of a pre - conceived explanatory scheme , be it rational ...
Stran 266
... context . In the endless movement of life there is an infinity of changing contexts ; the truths emerging from them constantly cancel each other out , like the droplets that Pierre Bezuxov saw in his dream vision , and one is left with ...
... context . In the endless movement of life there is an infinity of changing contexts ; the truths emerging from them constantly cancel each other out , like the droplets that Pierre Bezuxov saw in his dream vision , and one is left with ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
4 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote