Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 49
Stran 7
... course , Tolstoy also placed his own ideas in perspective against the body of esthetics that had developed in Western Europe as he was able to know it at the time . Tolstoy's opinions , of course , also car- ried the authority of a ...
... course , Tolstoy also placed his own ideas in perspective against the body of esthetics that had developed in Western Europe as he was able to know it at the time . Tolstoy's opinions , of course , also car- ried the authority of a ...
Stran 9
... course of time Tolstoy's fictional characters generally express views on art , or have experiences related to art that are similar to his own , as these developed at various stages of his life . In this respect , Tolstoy might not be ...
... course of time Tolstoy's fictional characters generally express views on art , or have experiences related to art that are similar to his own , as these developed at various stages of his life . In this respect , Tolstoy might not be ...
Stran 111
... course of history . In his essay , Tolstoy lists the basic types of such counterfeit art under the headings of : 1 ) " borrowing " " taking whole subjects , or merely separate fea- tures , from former works recognized by everyone as ...
... course of history . In his essay , Tolstoy lists the basic types of such counterfeit art under the headings of : 1 ) " borrowing " " taking whole subjects , or merely separate fea- tures , from former works recognized by everyone as ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
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according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote