Tolstoy's Aesthetics and His ArtSlavica Publishers, 1991 - 319 strani |
Iz vsebine knjige
Zadetki 1–3 od 71
Stran 179
... critics made it seem even smaller by chipping away at it each with his own set of professional tools brought over from any given area of competence or interest . Practicing artists felt that Tolstoy was speaking of the arts as if he ...
... critics made it seem even smaller by chipping away at it each with his own set of professional tools brought over from any given area of competence or interest . Practicing artists felt that Tolstoy was speaking of the arts as if he ...
Stran 180
... critics of the 1890s , as the Soviet scholar V. Zubov pointed out in 1929 , failed to understand the essay as a document testifying to the inner drama of Tolstoy's life and “ ar- gued with Tolstoy's thoughts and propositions but not ...
... critics of the 1890s , as the Soviet scholar V. Zubov pointed out in 1929 , failed to understand the essay as a document testifying to the inner drama of Tolstoy's life and “ ar- gued with Tolstoy's thoughts and propositions but not ...
Stran 208
Rimvydas Šilbajoris. ical side of Soviet critics . As late as 1979 , E. Nuralov in his book The Aethetics of Lev Tolstoy in the Judgment of Literary Criticism made the claim that the authors " ignore Lenin's articles about Tol- stoy ...
Rimvydas Šilbajoris. ical side of Soviet critics . As late as 1979 , E. Nuralov in his book The Aethetics of Lev Tolstoy in the Judgment of Literary Criticism made the claim that the authors " ignore Lenin's articles about Tol- stoy ...
Vsebina
Preface | 6 |
The Lessons of Yasnaya Polyana | 41 |
The Conscience of the Artist | 68 |
Avtorske pravice | |
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according activity actually aesthetics Anna Karenina appear artist basic beauty become beginning called characters civilization communication complex concept consciousness consists context course critics death definition described early effect emotion entire essay exists experience expression feeling felt fiction follows force French function hand human ideas imagination important inner instance interest issue kind language later literary literature living look matter Maude meaning mind moral Moscow namely nature notion novel object particular Peace peasant perception possible precisely present question reader reality reason references relationship religious Russian seems sense simple social society sort soul Soviet speak statement story stoy structure theory thing thought tion Tolstogo Tolstoy Tolstoy's true truth turn understand understood universal values various whole writer wrote